I am in the final stages before releasing my memoir, and for a few weeks there, I dealt with a paralyzing fear. All I could think about are the attacks people will make on my character (though I’ve been attacked by readers before, on numerous occasions). Or the ways in which certain people in the book will feel misrepresented or insulted (though I did my best to tell my story as it actually happened).
I listened to my dad telling stories about my sister and I over family dinner, and realized how unique each of our stories and perceptions really are. He had no recollection of what we were really going through at different stages of our lives. A bitter drink turned sweet with distance. In fact, everyone from my youth has little idea of the double life I lived, now captured in my book.
“The risk is fearsome: in making your real work you hand the audience the power to deny the understanding you seek; you hand them the power to say, “you’re not like us; you’re weird; you’re crazy (Bayles, Orland, 39).”
In all truth, I prefer people that I don’t know at all to read my work, rather than people who know me. It’s okay for a stranger to not like it, or not get it, but when it’s your friend, it means that they don’t really get you at all.
In the midst of my publishing fear phase, a friend leant me the book “Art & Fear – Observations On The Perils (and Rewards) of Artmaking”. As soon as I began reading it, my fear subsided. I was able to fully focus again on the process of making art, rather than fearing the result of my art. And I remembered how amazing it is to be where I am at, and see that the creation of this book all happened through mad stubborn persistence, diligence, pain, tears, upheaval, countless rewrites, and that fleeting feeling of triumph.
“Basically, those who continue to make art are those who have learned how to continue – or more precisely, have learned how to not quit (Bayles, Orland, 9).”
In the beginning, I imagined I would write a novel. My boyfriend at the time so fascinated me that I had to capture him with words. I thought it would just be a story of him, but it grew and grew into a whole community. How I got there, what I was searching for, and how it all ended up. In the end, it was not really about him or them at all. It was about me.
I thought it would be finished in 1-2 years. It would be published by a major with a huge book advance, become a best seller, and I would receive a movie deal within the year (how wonderful it is to be naïve and clueless). As I slugged away at horrible jobs that paid practically nothing, this image of the victorious author got me through the worst.
Then there was the issue, that in my twenties I partied so hard and lived so much to the fullest (which makes for much of my subject matter), that it was hard to find time and a morning without a hangover to write. But no matter. I still lugged my computer to the coffee shop when I could, on my one day off from work a week. Eventually, even in the early morning hours.
“To the artist, art is a verb (Bayles, Orland, 90).”
Bit by bit the pieces grew organically, and came to fit together. The book started as a third person novel, then a novel in the 1st person, then with voices of two other characters thrown in. Finally, three years ago, I was able to find the courage to admit that it is a memoir. But I would not have had the guts to say what I did, if it hadn’t started out as fiction. I also wouldn’t have come to know the other characters so well without that extra exploration. Did I mention that I began writing this book in 2002?
“The artists life is frustrating not because the passage is slow, but because he imagines it to be fast (Bayle, Orland, 17).”
It still amazes me that I have not given up. But on the other hand, it doesn’t amaze me at all, because I had no other choice. I couldn’t release it from my brain until it was all written down. And when it was finally done, it lifted like magic, and I was free of it.
I am at an age now, where the idealism begins to fade away. I’ve watched plenty of friends give up their craft for stability. Life is hard. Most artists don’t survive as artists once they leave the supportive community of school. After that, it’s just you and your art, and good luck getting people to care about what you do. Your friends are not necessarily your fans.
Facing the fact that my book will be available to the public, I wonder how my life will change. I will do everything I can to see that it’s successful, but there is the fear that it won’t sell. I won’t know until I take that risk. And whatever happens, it will still be a foundation that I can build from.
Years ago, a friend of mine read several chapters. Paul was a young techie nerd, who was bored with life, and struggling to find social skills. He kept talking to me about one of the main characters: a binging, partying, player who puts on a debonair act. He became obsessed with this guy. It didn’t take long before he was turning into him.
Suddenly, Paul was out every single night, getting wasted, and hounding women wherever he went. In a bizarre turn of events, he married an older woman within three months of meeting her. But he continued to go out every night, and slurred to me that he wasn’t sure how he’d gotten sucked into the institution.
At one point, he had been my best friend. But soon, it was too embarrassing to go anywhere with him. He was rude to bartenders who were my friends. He was loud and obnoxious, trying to see how many curse words he could fit into one sentence. He went from being madly intelligent and witty, to talking in circles without making any sense. It was like watching Truman Capote’s downfall.
Was it the book? Or was it because he also had feelings for me? Or maybe, I was not responsible at all, and he was just on that course looking for an avenue to go down. I don’t know. But it was a disturbing realization that the book might be a little dangerous for the slightly unstable.
“Artmaking grants access to worlds that may be dangerous, sacred, forbidden, seductive, or all of the above. It grants access to worlds you may otherwise never fully engage (Bayle, Orland, 108).”
I hope that my memoir shows that the world is never exactly as we are told it is, and it is up to each of us to find out for ourselves. Every person has the right to be an adventurer, an explorer of life. To Think for themselves.
Of course, it is dangerous to really live. To take chances, and be open to people who are different from ourselves. But it’s the only way to find out who we really are. If we live in fear, we’ll remain in a bubble where nothing really happens, and nothing can really grow.
“Insist that the world must always remain x, and x is indeed exactly what you’ll get (Bayles, Orland, 111-112).”
I am excited, that soon, with the book release, my life will open up to new possibilities. It will be out there, speaking for me, doing the work that I put into it for a decade of my life. I will keep you all updated when it is released.
Do any of you have book release experiences to share? Was it uplifting? Did it feel like a let down? Did it open your life up to new things? Please share.