June 1, 2014 § 3 Comments
For about six years now, I have been writing about the books I read here at The Synchronistic Reader, and my blog on a previous site. I’ve enjoyed the experience, and grown a lot from the gift of getting to process books through writing, and interacting with you, the readers.
In the past several months, however, the format has begun to feel stale for me, and I’m realizing that it’s time to make some changes in my life and re-prioritize. The blog takes up a large portion of my time, and I feel that I need to use that time wisely towards finishing my current book project, and shifting towards freelance journalism to promote that book.
I’m also feeling drawn to move past the straight memoir format into other styles of writing. I’ve noticed that through the years, I’ve told some of the same stories more than once. It’s time to stretch my writing chops and share the stories of other people, maybe even some fictional characters eventually.
I will be using this site as a way to keep all of you updated with news, upcoming publications, and random musings. Thank you so much for being a part of The Synchronistic Reader, and I hope that you’ll stick around for the upcoming ride.
January 8, 2014 § 2 Comments
Are you feeling the post-holiday penny pinch? Well, here’s my gift to you. Starting today, the e-book version of No End Of The Bed will be free through Sunday. Please spread the word, and spread the copies. Enjoy it!
October 7, 2013 § Leave a comment
Through the entire decade of my twenties, I was in denial about being a member of the female sex. I loved men so much, that I wanted to be one. All around me, I saw that women were the victims – while men had all the fun, women just got angry.
I had some of the best times of my life in open relationships, and also some of the worst. But the most important part of that experience was taking ownership of myself. By being around men who were staunch in their independence and sense of self, I became a stronger person. And somehow, I found the way to a different definition of what a woman can be than the one I’d grown up with.
In those first years out of college, there were no examples of female strength – only jealousy and haughty glares; or the Christian girls who stopped returning my phone calls though we’d been best friends. It wasn’t until I moved to New York that I finally found the women who became my true sisters. They were in tune with their bodies. They were tough in the face of assholes, and soft in the privacy of our intimate conversations. Rather than threatened by each other, we were inspired by each other’s beauty. We felt more powerful as a group than we did separately. In fact, whenever we were together, magical things occurred; the planets aligned for us; we magnetized strange experiences; we became bonded for life, like family.
But I still didn’t embrace my body as a woman. My body as some fertile place of procreation scared me half to death. If another woman’s cycle threw mine off, I felt as though she’d just one-upped me. I knew nothing at all about how female reproduction really worked. It was something I avoided. I could barely admit that I too experienced all the symptoms of a cycle, even if my friends talked freely about it and gloried in being in tune with the moon. I couldn’t shake the embarrassment my mother had raised me with, around the female sex.
In the beginning, sex brought me to life. I had zero embarrassment or awkwardness around that. It woke up all my senses, and inspired reams of Whitman-esque poetry. I loved the adventure of sleeping with near-strangers or random friends. I loved enjoying whoever was right in front of me. Taking in their personhood like a story I could wrap my brain around. We wove our lives through each other, asking for nothing in return. What we gave in those nights was just enough.
I was hanging with a pile of sexy rocker-types. We drank a lot. Our culture revolved around it. You play gigs in bars, make connections in bars, see all of your friends in bars. In my twenties, I thought I would always go on living like every day was a party. I couldn’t imagine changing. I loved my life. It was one big adventure. It felt like I was living in a movie. But then, Michael came along.
In Chronology of Water, Lidia Yuknavitch relates how it felt meeting the man of her life, and also her third husband.
“He treated this thing I’d done – this DUI – the dead baby – the failed marriages – the rehab – the little scars at my collar bone – my vodka – my scarred as shit past and body – as chapters of a book he wanted to hold in his hands and finish (Yuknavitch, 239).”
At first, it seemed with Michael, that we’d go on living the way we both always had. But the thing was, if we kept living that way, we’d be torn apart. The more we drank, the more we fought. Our old lives didn’t work when it came to being a unit.
I was alone in bed one morning, so hung-over that I may have been delirious. A little boy walked into the room, sat on the bed, and said, “I love you Mommy. I’m going to save your life.”
Immediately, I started crying. I thought if I talked to him, it would keep him from disappearing. I desperately wanted him to stay. But within seconds, he was gone. And yet, he wasn’t. It feels like he’s been with me ever since.
Not long after, I went cold turkey off the alcohol for eight months, so the painful hole in my stomach lining could heal. I started to live differently. Suddenly, I felt crystal clear. I began to wake up early so that I could write. Being productive now meant so much more than being entertained. I realized that in all those years of drinking, I had buried the pain I’d experienced from growing up in the church, and now I needed to deal with it. I began to explore, searching for some basis of truth.
I saw the nighttime world in a completely different way – boring, pathetic, where people acted dumb and got into stupid fights and slept with all the wrong people. It was still fun for them, and I appreciate all phases of life, but it was no longer for me.
It might seem ludicrous that a little boy vision could change my life. The thing is, my husband is infertile. When we first started dating, he told me it was from a childhood disease that he struggled with. That was only half true. A few years later, his friends spilled the beans that he also had a vasectomy. He was too embarrassed to admit it to me because an ex-girlfriend had pressured him into it. It was humiliating to have his friends tell me an intimate detail that was so important to our lives together. I couldn’t believe that he lied to me, and it took months for me to forgive him.
We talked about reversing his vasectomy, but the success rate is not that high, especially since he had such a low count to begin with. There is a high risk of childhood disease in his family, and he left that abusive family behind at the age of fifteen. His life became a story with the potential for happiness, while the past now only exists as literature. Michael is an excellent writer.
He started joking that we should use one of his friends as a sperm donor. Something I’ve learned in our relationship, is that jokes often become a reality. One day, I asked over brunch, “I wonder how much it costs to use a real sperm donor?”
“Lets find out.”
Immediately, I dove into obsessive research, and eventually found an excellent cryobank. They supply clients with medical records, interviews, baby photos, personality tests, and interests.
The search had to go on hold for many months until August arrived. When I saw our donor’s baby photo, I knew he was the right one. Michael was more impressed by the donor interview, where the lady conducting could hardly contain her attraction, and our donor sounded so mature for a twenty-something. Once we picked him, I began an exploration on reproduction, and how to plan conception for the exact day.
So far, we’ve done two rounds, and I’m in the process of waiting to find out the results of our last try. It’s proven much more stressful and all-consuming than I imagined. Going in, it seems like it should be easy, but the body works on its own time. Five-day windows are a gamble, and once the sperm arrives in a dry ice canister, it only has five days left before it thaws. As we learn more, I feel relaxed that it’s all going to work out in the end. I have an excellent Naturopath who is helping me every step of the way.
This entire year has been a learning process. I worked in an art studio with a group of empowered women from their thirties to sixties. They began to shift my perception of what it means to be a woman. The female artists I know are the strongest, most honest women I have ever met. They are fully present within themselves.
One actually admitted that she regrets motherhood; others revel in it; still others regret never having a child; some can’t imagine ever wanting one. All of them find their center through art. Continuing the cycle of humanity is not enough. You also need to leave the mark of what life itself means to you, to expand on the process in your own special way.
Just a few years ago, I thought I wasn’t capable of being a mother. There was no stability in my life. As a creative person, it’s difficult to find that balance, or any sort of financial safety zone. And then, I willingly gave up the thought of a baby to be with Michael.
There is something about a baby. I feel as though I won’t be able to fully embrace my own sex without that experience. And yet, I respect and admire all of the friends who choose not to have a child.
Something inside me asks, is it possible that I can share in that experience of being a mother? Does my body really work? Do I have all the right parts to make a baby happen? Am I really as healthy as I think I am?
It’s a funny thing that humans are always amazed by their ability to reproduce. You don’t see a cow in a pasture with a look of shock and awe on its face that a calf just came out of its uterus. It grooms the calf like it’s just another day, and eats the placenta to keep the prey away.
Even though I’ve become a little bit stodgy in my mid-thirties, I still feel like I’m a kid. Or maybe I am losing the remains of kid-dom, so I long for a baby to bring those fresh eyes back into focus.
At some point, you realize that life will go on being the same. I work hard and play hard. No great shakes. I’m ready for the big shake-up. I’m ready for change and growth and challenge. I think a child will even wake up my creativity in new ways that I am unable to see in the present.
“His argument against all my fluttering resistance? One sentence. One sentence up against the mass of my crappy life mess. ‘I can see the mother in you. There is more to your story than you think (Yuknavitch, 240).'”
By the way, The Chronology of Water is an excellent book. Lidia Yuknavitch is fearless in her honesty and is a courageous literary soul. I’ve met her twice at readings, and her energy invigorates me every time. She is not at all the broken woman she writes of in her memoir. Her experiences have made her a wise woman, and a brilliant writer. It’s the struggles that make us stronger.
July 21, 2013 § 2 Comments
Here are two chapters from No End Of The Bed to entice you. Chapter 13 takes us back to adolescence, with my struggles in the church. Chapter 36 is the complete antithesis, or is it? By this point, I am trying to figure out who I am, while my lover consistently prods me into situations that are way over my head.
“People will believe anything.
Except, it seems, the truth.”
Growing up, my mother’s entire social life was within the faith. Besides church on Sunday, she attended Wednesday night services, ran a Senior Citizen’s Bible study the next morning, and went to Praise night at Mrs. McMaster’s house on Friday night’s. But her Women’s Aglow meetings really took the cake. They met up once a month in various banquet halls. The only man I ever saw there was a handsome African American pastor. Everyone was in love with him. At the time, I was about six years old, and he told me that he liked the dress my mother had forced me to wear. I felt ridiculous in frilly things with bows and petticoats. But the tights were an even worse torture. I couldn’t stop scratching my legs.
At these meetings the energy would reach a frenzy, building to a climax until around twenty women would go up front. Amidst howling and shrieking and blubbering sobs, the pastor would shout, “By the power of Jesus’ blood you are slain in the spirit!”
Instantly they would all fall, flat on their backs. It was very funny to watch. It wasn’t as though they would sit on their asses and then fall back. It was more of a complete backwards faint. A long row of over-weight women in potato sack dresses just lying there, some of them passed out, others speaking in tongues.
One time a woman came with a neck brace claiming it was a permanent injury. The pastor laid his hands on her, along with five women praying out loud in a din of nonsense. Eventually the woman couldn’t take it anymore. She busted off her brace and started yelling that she’d been healed. Women’s Aglow was always good for a show.
There were other meetings like this one. One night we went to see a traveling evangelist who was a faith healer. Two parents brought in their screaming three year-old and told us he was possessed by a demon. It seemed to me he was just tired or sick or maybe had a psychological problem. But the pastor started yelling, “Release him from this torture! Set this boy free! In Jesus name!”
The boy screamed even louder. I had to admit, it was eerie. And it went on and on, until finally the boy stopped crying, and they walked off the stage. Yes, the stage. Everything seemed staged. Like theater, like an over-abundance of emotions, like hypnotism. The pastors all used that same rhythm in their voices, as though they were all from the south. It lulled you into believing what they said.
“You are getting very sleepy,” pause, “When I count to three you will close your eyes. One… two… three,” pause, “I will use the Bible as mind control. And because of the all-knowing tone of my voice you will never question me, I will use the pulpit to be high above you, and the words that I say will be the words of God. I will be like God to you. I will comfort you, but I will also fill you with fear. Because you would not want to falter in front of God, just as you will be your best for me. And you will give me your devotion, your money, your life, and your will. As a congregation you will grow, and feed my ego. And we will grow in strength. We will take over the world in our spiritual revival. We will spread to the far reaches. And I will be your leader. I will be your father. When I count to three you will be free from your own weakness, and will understand the strength in being my flock. One… two… three!”
My mother wouldn’t question the pastor, or the Republican president, because she was told their words were the word of God.
Throughout childhood I went through an inner battle that no one else could see. Pretending to be good was so stifling. At four years old, in church singing hymns, I thought it would be funny if I sang in potty talk instead. No one could hear me. But I felt liberated from all the staunch repression, free as I could be in my pee-pees and pooh-poohs and on and on in my own personal mantra. The boredom of the following sermon never mattered after that. I had committed my first act of rebellion against being made to sing words I did not feel.
I was sixteen and my mother and sister took me on a women’s retreat. Maybe I could finally prove that I wasn’t a failure at being a Christian. They asked if anyone would like to come up to receive prayer. I went up and asked to receive my prayer language. Three women laid hands on me. I closed my eyes hard in concentration, desperately wanting to feel something. Their touch sent a chill down my back. I looked over to the right and could see my mother prostrate on the ground through the crowd. Turning back, I zeroed in on my attempt to feel the presence of God. But there was nothing. Only my own mind telling me that now would be a good time to begin speaking gibberish.
When I opened my eyes, everyone was so happy for me. I had grown in maturity as a Christian. Their hope in my future was replenished.
“I don’t love people I can dominate.”
At the Vogue nightclub, a stale stench of sweat, urine, and spilt liquor made the air feel dense. Black walls and curtains made the room seem larger than it was. A lanky man in hot pants and a boa danced around a pole. His muscles glistened under the strobe lights as he thrust and swayed to the repetitive beat of industrial music. The pulsing bass was overlaid with rhythmic whips slapping down on a treble beat.
A woman with cropped bangs strode past the dancer as though she were on a catwalk, wearing only fishnets, a black thong and two pieces of black tape that covered her nipples. I tried my best not to stare, though I was completely enamored. I stood watching behind a high rectangular table that surrounded the dance floor. I wore hot pants, a black woven bikini with fringe, fishnets and six-inch platform peep-toe heels.
When we had arrived, Nico bought me a Long Island and disappeared. I could see him now, not far off, talking to a woman. She fondled his arm and flashed her eyes at him with her fat cheeks bulging as much as her breasts. I mused over Nico in his tight spandex tube dress and combat boots, and smiled over how the feminine attire enhanced his masculinity.
A bear of a man walked past me and grasped Nico by the arms, kissing him forcefully. Nico tensed up and shrank back. The man said something I couldn’t hear. Then Nico dodged away, and swooped over to me. It was the first time I ever saw him without control over a situation.
“How does the basil I put in your little pants feel?” he asked me.
“Refreshing. You could start a trend and call it herbs in undies. Enhance your natural flavors.”
“That’s my girl,” he said, slapping my ass. I put my hand on my hip and pursed my lips at him.
“Listen,” he said, “I have someone I want you to meet. He likes to be beaten and goes by the name Community Carl. He needs to be put in his place. I want you to dominate him.”
“I’m not sure I can handle that.”
“Of course you can! I’ll teach you! He’ll love it. You’re just the sort he likes.”
Nico took my hand, and I tottered behind in the very tall shoes. He was like a crazy little elf guiding me to the netherworld. We came to the back of the club where a doorway was covered with black curtains. I was afraid to enter. Who knew what was going on behind. Nico pulled the curtain aside and guided me in where an older man with a mustache was tied to the wall by his wrists. His shirt was off, and he seemed like a remnant from an old porno film. His bare chest was leathery, gravity pulling his skin down crease by crease.
“Please, I need to be beaten,” Carl begged, head hanging down towards the floor.
Nico abruptly slapped him in the face, “Does that feel good?”
“I need more. I want it to hurt.”
“Lauren he’s begging for it. You can do whatever you want to him. You can twist his nipples, slap him, or punch him. Just don’t hit his kidneys in the lower back, here and here,” he instructed, placing his hands across the sway of the man’s back. “Any damage to the kidneys could be fatal. But the rest is yours.”
“Okay,” I said, hesitating as I stared at Community Carl.
“You can do anything you want to him.”
“I need to be beaten down,” whimpered Carl. I whaled into his chest with my fist, and my strength surprised me.
“Oh fuck!” he yelped.
I whacked his thigh then twisted his left nipple tight between my fingers.
“Good girl, Lauren,” said Nico, as though I were an obedient canine. “You just keep at it, and I’ll be back soon,” he said, patting my shoulder.
I looked at Nico with a touch of panic, but after his exit, my aggression turned on Carl. A man handed me a crop and I whipped Carl back and forth across his stomach and chest. His face pinched in pain and he sucked in air with each sting of black leather. He twisted and flailed against the wall. I hated that Nico always left me. What was he doing? Why did he need so much attention?
Carl looked gruesome in his pseudo submissive state. I could see beneath his act that he had spent a lifetime on a ruthless treadmill of self-importance. Physical pain seeped through his body, erasing the emptiness of his emotions. All the things he had believed in at a young age eventually became a lie. Blood vessels bulged in his neck as he cringed. He wanted it all to be beaten out of him. The crop in my hand zipped through the air and came down on his skin with a loud whap.
His eyes rolled back into his head as he whimpered, “I need more.”
“Do you?” I whacked him once more across the thigh. An audience had gathered at the door. I felt taken up into another existence. The vinyl had been a costume for me, but now my appearance was being interpreted as fact. I surveyed all the people watching the role that had gone past pretend. My mind was a cloud of manufactured fog and neon beams of light flipping to the consistent sounds of a lash.
Nico came bursting through the curtains, “Lauren! Don’t you think you’re getting carried away?”
“Not at all,” I replied, whacking Carl again.
“Come with me.”
“Yes!” Nico commanded, taking my hand. “I want you to meet a man. He’s very rich. He could be good for you!” he spit into my ear, over the loud music. “You could live on your own. He could set you up.”
“I don’t want to meet anyone else. I’ve found you, haven’t I?”
“No, you must meet Franco. He’s been asking about you.”
Nico led me out to the bar where a rotund man in a bow tie sat. He looked like an opera singer.
“Franco! This is Lauren. She’s quite good with a whip.”
Franco laughed jovially as I held out my hand. He kissed it while I distractedly sipped my Long Island.
“The pleasure is all mine,” he said.
“I didn’t know people used phrases like that anymore,” I replied.
“You have a beautiful smile. You know you are going to make an amazing mother with a smile like that,” mused Franco.
“A mother?” My eyebrows creased together in confusion.
“Some little boy will be raised well because you exist in this world. You’re a rich woman, and any boy would love to have a mother like you. Easygoing and artistic, I can tell,” he added.
“You are a strange bird,” I said, laughing. “A strange, strange bird.” I shook my head.
Maybe Franco had a mother fetish, but I certainly wasn’t the motherly type. Nico told me I had the body of an adolescent boy. I began to shimmy and moved backwards, edging away from the two men who suddenly seemed foreign and strange and faraway. They watched me move as I closed my eyes and ate up their stares. I traveled into another dimension, beyond the creatures that circled like extras from a sci-fi film. I was a voyeur of my own life.
• • •
It was the time of year when the season turns grey and brisk with crystals of frost that form before dawn. I closed Nico’s red front door gently behind me and walked past the strangely configured broken white reproduction statues from various sites in Rome. Exiting the wind-torn curtains obscuring the entrance to the porch, I walked down the stairs. I breathed in, and the thick wet air seeped into my nostrils. Turning the key in the lock, I stepped into my aging hand-me-down car. The transmission was dying due to the time it was towed in second gear.
I felt poetic, nostalgic, and pure, like a virgin ready to be sacrificed to Dionysian delights or death itself. I turned down the street and drove through slumbering neighborhoods. The whole world seemed to be drowsy with hibernation. But amidst all the deadness I felt so awake.
My long monotonous shift at work would have little meaning in the knowledge that I was living an extraordinary life. I took risks that my friends would never dream of. I couldn’t care less about protecting my emotions if it meant it would hold me back from really living. But I wanted the parallel life to stop. I was tired of all the people from my past that shook their heads over things they didn’t understand. Though I loved them, there was nothing between us anymore. And I hated regressing back into the Lauren I had left behind, the one who faked everything just to be accepted. Then I thought of the costume I had worn the night before, and realized, that too was an act.
June 16, 2013 § 3 Comments
The title of Why Be Happy When You Could Be Normal, Jeanette Winterson’s recent memoir, refers to a comment her mother made shortly before Jeanette left home for good. They lived in working class Manchester, England. Her harsh, adoptive mother was a Pentecostal, obsessive-compulsive, abusive woman who hated life so much she hoped the Apocalypse would arrive soon. Mrs. Winterson never slept in order to avoid sleeping with her husband. She was in denial of her physical self. She often locked Jeanette outside or in the coal cellar overnight on freezing cold nights.
“She hated being a nobody, and like all children, adopted or not, I have had to live out some of her unlived life. We do that for our parents – we don’t really have a choice (Winterson, 1).”
To escape, Jeanette turned to books, and then she fell in love with a girl. When Mrs. Winterson found out, a brutal exorcism ensued, including three days of starvation, and an over-zealous minister who tried to convince Jeanette (in a perverse fashion) that men were more suited to her needs than women. Of course, they failed at making her play the game of pretend. If Mrs. Winterson taught Jeanette anything, it was to be stubborn. And after living in that house all her young life, nothing could break her.
Jeanette soon had to leave home, though she was only sixteen. Her passion for literature brought her to Oxford where she was left to herself with three other women to study on their own. Shortly after college, her first novel, Oranges Are Not The Only Fruit, became an international bestseller and she has won numerous awards since.
I feel a strong bond with Jeanette, as though we’ve met up a few times and swapped stories. Each time after, she hurried back to her intensely private life, while I was left wanting more. Strong women have that effect on me.
I could write here about my family, about how I grew up in a Pentecostal home, but I’ve written about that dozens of times, not to mention in my memoir No End Of The Bed. I’m at that point right now, where Jeanette was with the release of Oranges, except that I was not published by a major, and I only sold twenty copies in the first month.
I had this idea in my head that people would go buy the book right away, and word would spread extremely fast, like an internet video going viral. But in this case, word spreads slowly, and finding an audience is a process that builds on itself through time, energy, and creativity. The hero’s journey of the struggling writer continues, and I am still faced with a giant uphill battle to win the narrative in my head. In other words, my dream still feels crazy, and a little out of reach.
I am often working ten-hour days on writing, marketing, and publishing. No one is looking over my shoulder, I’m not punching a clock, and I haven’t made a dime. In fact, I’ve spent every cent that I made in the last three months and more to make this a reality. I sent the book out to reviewers who probably won’t give it a second glance. Whether they write about it or not, it’s important that they see it and know that it exists, and that quality books will keep coming from Knotted Tree Press in the future.
Without writing, I become an unbearable human being. When I stop, my obsessions go into strange territories. So I wonder, what would pre-feminist Lauren look like? Would I look like Mrs. Winterson? Would I have made everyone around me miserable? And without the benefit of knowledge, would I have been a religious extremist? Would I have remained in an adolescent state – lacking in awareness of others, narcissistic, self-absorbed.
“I suddenly realised that I would always have been in this bar that night. If I hadn’t found books, if I hadn’t turned my oddness into poetry and the anger into prose, well, I wasn’t ever going to be a nobody with no money… I’d have gone into property and made a fortune. I’d have a boob job by now, and be on my second or third husband, and live in a ranch-style house with a Range Rover on the gravel and a hot tub in the garden, and my kids wouldn’t be speaking to me (Winterson, 208).”
We all have the capacity to find our sweet spot from the work we love. Sometimes, it takes a lot of bravery to lay claim to the work that you love. Quite possibly, most people hate their jobs. The only way to get through it is to do something you love after or before work. At an art studio last week, I overheard a man say that he wished he studied art instead of nursing. But the nursing affords him the time and financial stability to do the art. He’d just come off a night shift, and would be in class all day. In fact, most of the really dedicated artists are older and retired. They gave up their passion for thirty years, and now go to studios five days a week, working tirelessly.
Without writing, I don’t think I would have grown as I have, or become as aware of my life and the lives around me. It’s a system of processing information and coming to more questions, and even some conclusions.
In my head, just like Jeanette, I have another life, a Plan B that I’ll probably never fall back on. I think a lot about real estate. I imagine myself negotiating and making deals (things that in real life I utterly failed at as a Literary Agent). I pass by expensive historic homes when I walk to work. I watch when they come up for sale, I look to see who’s selling them. I wonder what the stories are of the people who live there, and long to solve all the mysteries of domestic life. See? I begin in sales, and end up literary. But in the real estate dream-life, there are returns for all of my hard work. I am rewarded for knowing my own value. It eases the reality of the life I am living.
“I know now, … that the finding/losing, forgetting/remembering, leaving/returning, never stops. The whole of life is about another chance, and while we are alive, till the very end, there is always another chance (Winterson, 38).”
What matters most is that the people who have read No End Of The Bed came back to me with rave reviews with such comments as “mesmerizing,” “brave,” “painted pictures with words,” “couldn’t put it down,” “loved the dialogue,” “has the power to help people.” Everyone finished it within two weeks (surprising to me for how busy they all are, especially the new moms). I went from feeling horribly exposed, to feeling wonderfully connected. Friends I hadn’t seen in a long time met up with me to share their own stories. People I’ve known since college looked at me with greater understanding. They questioned their choices in comparison to my own. Everyone talked about different scenes in the book. And no one seemed shocked or turned-off by some of the extremely sexual content. Neither were they offended by the feelings I expressed against the church. The rush has since died down, and now it’s up to the people I’ve never met to read the book and come to their own conclusions.
This morning I read about the publishing trajectory of the trilogy Fifty Shades Of Grey. I haven’t read the books, and couldn’t even get through the first page, but there are some comparisons to be made with No End Of The Bed as far as S&M content. E.L. James was first published by a small indie publisher in Australia with an e-book and print-on-demand in May 2011. The books gained momentum on blogs and social media, gaining a deal with Random House for somewhere around a million dollars in March 2012. The books sold 25 million copies in the first four months. So even in this case of the fastest selling books, success did not come overnight. It took time and persistence.
In Winterson’s novel, Sexing The Cherry, she explores time. Her mother looms in the character of a giantess. The narrative flips from the medieval to the present. We are asked to consider time and the dangers of puritanical thinking. Time is the story, and with it, the domino effect of lives from past to present. Earth seems like a magical place, except that it isn’t, if you inspect it close enough. We are not the result of miracles. Life occurs from hard work and persistence, from the smallest organism, to the most complex.
June 9, 2013 § 2 Comments
Just a quick announcement to let you all know, my memoir ‘No End Of The Bed’ is free on kindle for five days starting today! The free sale lasts until Thursday at midnight.
If you enjoy the book, please share your customer review on Amazon. I’ve received many raves, but the customers out there need to hear it too. Thanks so much for your support!
June 7, 2013 § Leave a comment
After much ado, the book trailer for my memoir, No End Of The Bed, is now live! The concept is based around parallels between the church and the sex-positive movement. Enjoy!
May 12, 2013 § 4 Comments
I am so happy to announce that my memoir No End Of The Bed is now available on Amazon!
Lauren J. Barnhart’s memoir No End Of The Bed spans her search for truth through differing perceptions of sex, with some surprising parallels made between the fundamentalist church and the sex-positive movement.
Raised within the confines of Fundamentalism, Lauren J. Barnhart is instructed that her body is inherently evil and unclean; that innocence is of the highest value; and that a woman is meant to be a servant to everyone but herself. She struggles to believe all that she is told or else disappoint family, friends, and an all-knowing God.
At age twenty-one, outside of her small conservative college, Lauren expresses her sexuality and is surprised to discover a lack of guilt for her transgressions. Within nature rather than against it, awakened to all five senses, she begins to record the feelings of intense love and empathy that she failed to find within the church.
In the search for something more, she is drawn towards a group of polyamorists, who celebrate the body and the freedom to express themselves with many. Through their zest for life, she abundantly taps into her artistic nature. But at the same time, she experiences the same misuse of power that was left behind in the pews. Realizing that the need to find a leader is a fallacy, Lauren learns to value her own true voice, and finds the strength to forge a different path.
I began this book when I initially broke with the church twelve years ago. The experiences I had along the way were strange and extraordinary, and it took the entirety of that time since, for the story to fully unfold. In fact, the last chapter took place exactly one year ago.
In my early twenties, I became obsessed with the need to capture everything I was experiencing. I kept detailed journals, wrote poems, songs, and began writing short stories that grew to connect as chapters.
It took ten years, and one year of prodding from my husband, before I could face the fact that I was writing a memoir. I’m still shocked that I’m not hiding behind the false label of fiction. There are truths in the book that I wouldn’t even tell my close friends. But a book is different than a conversation. And without total and complete honesty, the story loses its effect.
Others who feature in my story might not remember the details the same way that I do. Each and every one of us has a different set of memories. But we all shared the same arc from repression to crazy expression.
I am very immersed in the present right now (more than I have ever been). I could not let go of the past until I finished this book. It helped me to process my life. I came to understand everyone else’s motives. I forgave them and went through a long phase of constantly thinking through the male mind. At least that is to say, the male minds that are in the book!
In the end, I found that there were more similarities between the Fundamentalist church and the Sex-Positive movement, than dissimilarities. Erica Jong once wrote, “All pornographers are puritans.” Residing in one extreme, the complete opposite extreme lies within it, just under the surface of repression.
Growing up, I was told that the body I live in is rife with taboo. I wanted to understand why. I put myself in highly uncomfortable situations just to test my own limits. I discovered that taboo only exists in your mind. Fear is based on the unfamiliar. Rules and religion began with the human desire for control and patriarchy, and control keeps the masses in the dark.
Through the long, arduous publication process, passages, words, phrases, and pages jumped out at me: flashes of years past. No End Of The Bed shows me how far I’ve come. I feel invulnerable to judgment. The young, confused girl in the book is not the woman that I am today.
But I also miss certain aspects of that very youthful place. I was so open to people that it bordered on unhealthy, though I learned so much from them. I was also scared shitless of all the new people that spoke a different language than the religious language I grew up with. Lately I am reminded, that if you’re not scared shitless, you’re not really living. Being on the stage seems to provide that over and over for me. I like to be constantly challenged so that I can keep growing.
Right now, I have two other books in the works, and I will be publishing other authors as well through Knotted Tree Press including literary fiction, memoir, essays, and poetry. You can find out more at Knotted Tree Press.
In the memoir, I found responsibility for my self. I let go of the need for a leader, and discovered my own truth. In taking charge of the publishing of that memoir, I found responsibility for my work. I’ve loved every detail of editing, formatting, designing the cover artwork, and marketing. The funny thing is, it took exactly nine months to complete the publishing process. Now, it’s just so good to be back to writing again.
February 13, 2013 § 12 Comments
A man in my writer’s group often makes the comment that the rough draft of my second memoir could use more plot. Writing a memoir is a long process of layering, of recalling memories that are revived through old journal entries. By the end of the process, there is always a plot, but never it seems, before the final draft.
It made me think of all my favorite books. They don’t follow a traditional narrative arc, but they do capture life itself – ‘Post Office’ by Charles Bukowski, or any book by Henry Miller, for example.
In real life, plot does not take the same shape as in a novel. It only exists as something to be noticed from many years past. It’s a narrative device to hold the reader’s interest, a method of pacing and cliffhangers. In life, we are not aware of the plot until we have reached an entirely different evolution of self.
My second book is difficult to build since it captures the time I spent living in Hoboken, NJ/New York City. There were always a million things happening at once, much more than what should be captured on the page. In a three year span I was a poet, a belly dancer, a singer/songwriter on the mandolin, a percussionist in a bossa nova band, a hostess at a popular restaurant, a literary agent, an artist’s assistant for someone famous, a pool player, a coffee drinker, a groupie, and a mad downer of whisky. I was out every night, and working every day. Many universes collided, which is part of the fun, and exactly what made it so fascinating to live through.
In New York, the parallel life shifted between being very poor, while often being among the extremely rich. Within my tribe there was a great deal of tension within the “us verses them”. We despised the rich. Abused them if they came within our dive bar territory. And yet, we often depended on the rich to get by. To play those games, you had to pretend to be someone you weren’t. There was a massive growing process that took place within that struggle, and a process of letting go.
This week I read Ernest Hemingway’s mostly memoir ‘A Moveable Feast’. It’s the first book by Hemingway that I have ever enjoyed, and I’m surprised that I gave him another chance. I never lose faith in him, though I don’t like any of his novels (minimalism, no adjectives, run-on sentences, bare expanses, macho posturing).
Of ‘A Moveable Feast’ Hemingway writes, “If the reader prefers, this book may be regarded as fiction. But there is always the chance that such a book of fiction may throw some light on what has been written as fact.”
Is there a plot in this book? Of course not. It’s a love letter to Paris and his time spent with Gertrude Stein, Ezra Pound, James Joyce, F. Scott Fitzgerald, and the love he shared with his first wife Hadley, and their baby, Bumby (including Bumby’s babysitter, a cat named F. Puss).
Hemingway makes Fitzgerald sound like a tiresome alcoholic with a cuckold for a wife; Zelda, a wife jealous of her husband’s talent who makes him drink to distract him from his craft; Stein, an egomaniac with no patience for women other than Alice. To get through it all, Hemingway drinks plenty of whiskies with soda and lemon juice (a delicious drink). And then, just when you feel he’s really had enough, supreme, in all of this, is the joy of being a writer in a city like Paris.
“The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful), the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed (Hemingway, 91).”
By the end of the book, you feel the sadness that Hemingway experienced at the loss of this world he inhabited, and his young family. The rich were drawn to his success and left him feeling empty. Other women drew him away from Hadley and filled him with regret. But in the end, there was always Paris.
“We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy (Hemingway, 211).”
In ‘A Moveable Feast’ the place becomes the plot. No matter how many people pass through, or how quickly they appear and then disappear. This is the life of the city: a constant rotation of people and experiences that you should never expect to last. But it’s beautiful while you are at the center, watching the menagerie orbit around you.
January 31, 2013 § 121 Comments
I am in the final stages before releasing my memoir, and for a few weeks there, I dealt with a paralyzing fear. All I could think about are the attacks people will make on my character (though I’ve been attacked by readers before, on numerous occasions). Or the ways in which certain people in the book will feel misrepresented or insulted (though I did my best to tell my story as it actually happened).
I listened to my dad telling stories about my sister and I over family dinner, and realized how unique each of our stories and perceptions really are. He had no recollection of what we were really going through at different stages of our lives. A bitter drink turned sweet with distance. In fact, everyone from my youth has little idea of the double life I lived, now captured in my book.
“The risk is fearsome: in making your real work you hand the audience the power to deny the understanding you seek; you hand them the power to say, “you’re not like us; you’re weird; you’re crazy (Bayles, Orland, 39).”
In all truth, I prefer people that I don’t know at all to read my work, rather than people who know me. It’s okay for a stranger to not like it, or not get it, but when it’s your friend, it means that they don’t really get you at all.
In the midst of my publishing fear phase, a friend leant me the book “Art & Fear – Observations On The Perils (and Rewards) of Artmaking”. As soon as I began reading it, my fear subsided. I was able to fully focus again on the process of making art, rather than fearing the result of my art. And I remembered how amazing it is to be where I am at, and see that the creation of this book all happened through mad stubborn persistence, diligence, pain, tears, upheaval, countless rewrites, and that fleeting feeling of triumph.
“Basically, those who continue to make art are those who have learned how to continue – or more precisely, have learned how to not quit (Bayles, Orland, 9).”
In the beginning, I imagined I would write a novel. My boyfriend at the time so fascinated me that I had to capture him with words. I thought it would just be a story of him, but it grew and grew into a whole community. How I got there, what I was searching for, and how it all ended up. In the end, it was not really about him or them at all. It was about me.
I thought it would be finished in 1-2 years. It would be published by a major with a huge book advance, become a best seller, and I would receive a movie deal within the year (how wonderful it is to be naïve and clueless). As I slugged away at horrible jobs that paid practically nothing, this image of the victorious author got me through the worst.
Then there was the issue, that in my twenties I partied so hard and lived so much to the fullest (which makes for much of my subject matter), that it was hard to find time and a morning without a hangover to write. But no matter. I still lugged my computer to the coffee shop when I could, on my one day off from work a week. Eventually, even in the early morning hours.
“To the artist, art is a verb (Bayles, Orland, 90).”
Bit by bit the pieces grew organically, and came to fit together. The book started as a third person novel, then a novel in the 1st person, then with voices of two other characters thrown in. Finally, three years ago, I was able to find the courage to admit that it is a memoir. But I would not have had the guts to say what I did, if it hadn’t started out as fiction. I also wouldn’t have come to know the other characters so well without that extra exploration. Did I mention that I began writing this book in 2002?
“The artists life is frustrating not because the passage is slow, but because he imagines it to be fast (Bayle, Orland, 17).”
It still amazes me that I have not given up. But on the other hand, it doesn’t amaze me at all, because I had no other choice. I couldn’t release it from my brain until it was all written down. And when it was finally done, it lifted like magic, and I was free of it.
I am at an age now, where the idealism begins to fade away. I’ve watched plenty of friends give up their craft for stability. Life is hard. Most artists don’t survive as artists once they leave the supportive community of school. After that, it’s just you and your art, and good luck getting people to care about what you do. Your friends are not necessarily your fans.
Facing the fact that my book will be available to the public, I wonder how my life will change. I will do everything I can to see that it’s successful, but there is the fear that it won’t sell. I won’t know until I take that risk. And whatever happens, it will still be a foundation that I can build from.
Years ago, a friend of mine read several chapters. Paul was a young techie nerd, who was bored with life, and struggling to find social skills. He kept talking to me about one of the main characters: a binging, partying, player who puts on a debonair act. He became obsessed with this guy. It didn’t take long before he was turning into him.
Suddenly, Paul was out every single night, getting wasted, and hounding women wherever he went. In a bizarre turn of events, he married an older woman within three months of meeting her. But he continued to go out every night, and slurred to me that he wasn’t sure how he’d gotten sucked into the institution.
At one point, he had been my best friend. But soon, it was too embarrassing to go anywhere with him. He was rude to bartenders who were my friends. He was loud and obnoxious, trying to see how many curse words he could fit into one sentence. He went from being madly intelligent and witty, to talking in circles without making any sense. It was like watching Truman Capote’s downfall.
Was it the book? Or was it because he also had feelings for me? Or maybe, I was not responsible at all, and he was just on that course looking for an avenue to go down. I don’t know. But it was a disturbing realization that the book might be a little dangerous for the slightly unstable.
“Artmaking grants access to worlds that may be dangerous, sacred, forbidden, seductive, or all of the above. It grants access to worlds you may otherwise never fully engage (Bayle, Orland, 108).”
I hope that my memoir shows that the world is never exactly as we are told it is, and it is up to each of us to find out for ourselves. Every person has the right to be an adventurer, an explorer of life. To Think for themselves.
Of course, it is dangerous to really live. To take chances, and be open to people who are different from ourselves. But it’s the only way to find out who we really are. If we live in fear, we’ll remain in a bubble where nothing really happens, and nothing can really grow.
“Insist that the world must always remain x, and x is indeed exactly what you’ll get (Bayles, Orland, 111-112).”
I am excited, that soon, with the book release, my life will open up to new possibilities. It will be out there, speaking for me, doing the work that I put into it for a decade of my life. I will keep you all updated when it is released.
Do any of you have book release experiences to share? Was it uplifting? Did it feel like a let down? Did it open your life up to new things? Please share.