Category: Books

The Power Of Belief

~ Lauren J Barnhart ~ 4 Comments

DSCN3394A recurring dream I’ve had for the last three years – I am forced, for unfinished reasons, to return to my alma mater, a small Christian University. I am told that I have to think a certain way, act a certain way, go to Chapel and pretend that I believe when I pray. If I don’t do all of these things, I will not be allowed to graduate into adulthood.

I am a 34-year-old agnostic atheist. The dream would not be so terrible if it wasn’t for this fact. It would even seem kind of fun to go back to school. It wasn’t a bad place, and I really enjoyed my time there, especially my studies.

A friend of mine said, that it seems like most people that are raised in the church eventually wizen up and leave faith behind. Quite the contrary. Judging from what I have seen in my Christian high school and college, I would say 5% have left the church. I have no way of knowing if they have grown out of faith altogether, and on that count, it may be more like 1% (I might even be the 1 of that percent). I am intrigued to know if there are any others.

The theology of my education was indoctrinated into me from the time I was born. It began with my mother who was at the height of her “Jesus Freak” phase, when I was “miraculously” conceived after years of trying for a second child. My young life was immersed in Bible stories, songs, memorized verses. Then Sunday school, Vacation Bible school, Praise Night, tent revival meetings, Amy Grant, Sandi Patty, The Gospel Bill Show, Tammy Faye Baker on the PTL club, Christian school from third grade through my senior year of college. I was not allowed to go to a Buddhist friend’s house, I was spanked for asking what the word “witch” meant, and Disney movies were all of the devil. Every influence around me was a Christian influence. There was nothing else.

From my religious perspective, as a child, it did not seem strange, or even wrong, that God supposedly commanded the Israelites to commit genocide at Jericho.

It seemed normal, at least in the Bible, for Lot to offer up his own daughters to be gang-raped, protecting his houseguests from a similar fate.

And when Noah’s son Ham saw his father’s drunken nakedness, and told his brothers about it rather than covering him up right away, it was normal for God to condemn Ham’s descendants to be “The lowest of slaves (Genesis 9:25).”

In The God Delusion by Richard Dawkins, he writes, “Shouldn’t a literalist worry about the fact that Matthew traces Joseph’s descent from King David via twenty-eight intermediate generations, while Luke has forty-one generations? Worse, there is almost no overlap in the names on the two lists! In any case, if Jesus really was born of a virgin, Joseph’s ancestry is irrelevant and cannot be used to fulfill, on Jesus’ behalf, the Old Testament prophecy that the Messiah should be descended from David (Dawkins, 120).”

In a study of 168 Israeli children, the kids condoned the well-known story of Joshua’s act of genocide. But when all the names and places were changed, they condemned it.

“Religious leaders are well aware of the vulnerability of the child brain, and the importance of getting the indoctrination in early. The Jesuit boast, ‘Give me the child for his first seven years, and I’ll give you the man,’ … In more recent times, James Dobson, founder of today’s infamous ‘Focus on the Family’ movement, is equally acquainted with the principle: ‘Those who control what young people are taught, and what they experience – what they see, hear, think, and believe – will determine the future course for the nation (Dawkins, 206).”

Though religion was ingrained in me, at school I often wanted to ask questions. But there was an unspoken rule that it was inappropriate to ask. If you asked questions of the Bible, your faith was faltering, you were weak, you were a failure, you lacked virtue.

“Christianity, just as much as Islam, teaches children that unquestioned faith is a virtue. You don’t have to make the case for what you believe. If somebody announces that it is part of his faith, the rest of society, whether of the same faith, or another, or of none, is obliged, by ingrained custom, to ‘respect’ it without question; respect it until the day it manifests itself in a horrible massacre like the destruction of the World Trade Center, or the London or Madrid bombings (Dawkins, 346).”

The idea that question equals failure permeated my entire consciousness to the point that I was afraid to ask questions in all of my other subjects as well.

Judgment was a huge fear for me. Everyone was always watching. So rather than falter in front of them, how about, just do nothing at all. Sit in a corner, and pretend you don’t exist. For eighteen years, that’s exactly what I did. I was not an exemplary student, to say the least.

Women barely exist at all in the Bible. I clung to the stories of Ruth and Esther for dear life. They were all I had. Mary, the mother of Jesus, certainly wasn’t worthy of admiration. She is described as being more like a vessel than a person. Jesus treated her poorly. He directed his followers to leave their families behind to join his hippy movement. Reading the Bible, it’s difficult to figure out where “Christian Family Values” came from.

When I was twenty-one, I chose to walk away from the church. I decided that I no longer wanted to battle against my own human nature. I longed to fully accept who I was so that I could find happiness. I didn’t think about my departure much beyond that basic need. For the next ten years, I avoided the concept of faith and religion completely.

Instead, I spent that time doing the basics. I had to rebuild my life and deprogram my brain (not an easy task). I put myself in uncomfortable situations so that I could learn, grow, and figure out my own path. I went through an inter-faith phase, and had a year or so of being enamored with mumbo jumbo, third eyes, magickal practice, and shamanism; but I never explored what I came from.

Three years ago, I was finally ready to face all of my fears surrounding the culture of faith. At first, when I started my research, I was horrified by the realization that all of my life I’d been lied to by people who actually believed the lies they told. I was extremely angry. I couldn’t pick up the Bible without feeling disgusted and repulsed. I expressed my rage in some of my past blog posts which (going viral) attracted the ire of some very hateful Christians. One accused me of wanting to be gang-raped by five guys on a pagan altar. When you come from Bible culture, this is not an “out there” thing to think.

As a woman (according to the Bible) I am a descendant of Eve (no matter that so are all men). Therefore, I am an evil temptress who can’t be trusted, and I need to remain under the protection and the thumb of my husband or father, who will keep me in line. I am not a man’s equal (since I come from his rib, and he was there first after all), so it’s okay to take me down a few notches and skewer me as a sexual deviant to take away the blow from my viable arguments against religion.

You can teach a normal, healthy human being the practices of religion, but the fact that they subscribe to blind faith makes it positively unhealthy. The more extreme the faith and the acts behind it, the more the rewards in heaven multiply. Thus, suicide bombers abound.

I had a good talk with my brother in-law last week. He and my sister are Bible translators in Papua New Guinea, though they are home on furlough. He gets sick of being judged that he is going to act or feel a certain way on the basis of his beliefs. I get sick of being judged by Christians that I am selfish and evil simply because I do not live by faith.

Unlike the Christian faith, I don’t believe that we only subscribe to morals for fear of punishment or hope for rewards. I don’t believe that I am a hopeless, fallen soul with no control over myself. I take full responsibility for all of my actions, for my well being, and the well being of those around me. I don’t believe my dreams will be handed to me on an answered-prayers-platter. I believe in working hard to make my dreams a reality.

A friend was visiting not long ago and said to me, “I forgot that you are an atheist, because you are just so spiritual.”

I’m not sure what this means exactly. I am in awe of the universe. Is that spiritual? Is my spirit separate from my body? There is no evidence that supports that.

Scientists believe we have discovered the origins of the universe. Though the theories make a great deal of sense, I wasn’t there, and I will never know what actually happened. And that’s okay, because I am merely a collection of matter, ever-changing, and living on this marvelous stage of life, lucky to be here, honored with the magnificence of it all, never ceasing to be intrigued and amazed by my journey through art, life, words, loves, dreams, and actualizations.

Could it not be, that we have come into existence by the actualization of atoms, which create the same feats in our own lives? From particles to beings, from beings to mass movements. If you believe something enough, it will come true. That is why I still believe that prayer actually does tend to work. In prayer or meditation, you have set your mind to something, and will (hopefully) lay the groundwork to fulfill that need.

I no longer feel angry when I pick up my Bible. For the first time in my life, I can enjoy it simply as a piece of literature. Well, on second glance, maybe not. That is wishful thinking in my case. It could only remain as a piece of literature to someone who was not affected by its life consuming goals. Such as, the way I was not affected personally by learning about Greek mythology. No one ever told me I had to live by the commands of the great and all-powerful Zeus.

In Philippians, Paul’s words remind me all too well of what I have left behind:

“… I consider everything a loss compared to the surpassing greatness of knowing Christ Jesus my Lord, for whose sake I have lost all things. I consider them rubbish that I may gain Christ and be found in him, not having a righteousness of my own that comes from the law, but that which is through faith in Christ… I want to know Christ and the power of his resurrection and the fellowship of sharing in his sufferings, becoming like him in his death, and so, somehow, to attain to the resurrection from the dead (Philippians 3:8-3:11).”

According to Ignatius, Paul was eventually decapitated as a martyr under the rule of Nero. He is not the first martyr or the last. He is not the first to give everything up over his lame powers of perception – believing in the great white light, spirits, visions, what have you. As I read the words now, I feel sorry for his loss. I admire that he lived his life with passion. But his blind love cost him his head. It also cost him the chance at finding truth and happiness in the one life he lived.

 

The Benefits Of Persistence

~ Lauren J Barnhart ~ 3 Comments

DSCN3385

The title of Why Be Happy When You Could Be Normal, Jeanette Winterson’s recent memoir, refers to a comment her mother made shortly before Jeanette left home for good. They lived in working class Manchester, England. Her harsh, adoptive mother was a Pentecostal, obsessive-compulsive, abusive woman who hated life so much she hoped the Apocalypse would arrive soon. Mrs. Winterson never slept in order to avoid sleeping with her husband. She was in denial of her physical self. She often locked Jeanette outside or in the coal cellar overnight on freezing cold nights.

“She hated being a nobody, and like all children, adopted or not, I have had to live out some of her unlived life. We do that for our parents – we don’t really have a choice (Winterson, 1).”

To escape, Jeanette turned to books, and then she fell in love with a girl. When Mrs. Winterson found out, a brutal exorcism ensued, including three days of starvation, and an over-zealous minister who tried to convince Jeanette (in a perverse fashion) that men were more suited to her needs than women. Of course, they failed at making her play the game of pretend. If Mrs. Winterson taught Jeanette anything, it was to be stubborn. And after living in that house all her young life, nothing could break her.

Jeanette soon had to leave home, though she was only sixteen. Her passion for literature brought her to Oxford where she was left to herself with three other women to study on their own. Shortly after college, her first novel, Oranges Are Not The Only Fruit, became an international bestseller and she has won numerous awards since.

I feel a strong bond with Jeanette, as though we’ve met up a few times and swapped stories. Each time after, she hurried back to her intensely private life, while I was left wanting more. Strong women have that effect on me.

I could write here about my family, about how I grew up in a Pentecostal home, but I’ve written about that dozens of times, not to mention in my memoir No End Of The Bed. I’m at that point right now, where Jeanette was with the release of Oranges, except that I was not published by a major, and I only sold twenty copies in the first month.

I had this idea in my head that people would go buy the book right away, and word would spread extremely fast, like an internet video going viral. But in this case, word spreads slowly, and finding an audience is a process that builds on itself through time, energy, and creativity.  The hero’s journey of the struggling writer continues, and I am still faced with a giant uphill battle to win the narrative in my head.  In other words, my dream still feels crazy, and a little out of reach.

I am often working ten-hour days on writing, marketing, and publishing. No one is looking over my shoulder, I’m not punching a clock, and I haven’t made a dime. In fact, I’ve spent every cent that I made in the last three months and more to make this a reality. I sent the book out to reviewers who probably won’t give it a second glance. Whether they write about it or not, it’s important that they see it and know that it exists, and that quality books will keep coming from Knotted Tree Press in the future.

Without writing, I become an unbearable human being. When I stop, my obsessions go into strange territories. So I wonder, what would pre-feminist Lauren look like? Would I look like Mrs. Winterson? Would I have made everyone around me miserable? And without the benefit of knowledge, would I have been a religious extremist? Would I have remained in an adolescent state – lacking in awareness of others, narcissistic, self-absorbed.

“I suddenly realised that I would always have been in this bar that night. If I hadn’t found books, if I hadn’t turned my oddness into poetry and the anger into prose, well, I wasn’t ever going to be a nobody with no money… I’d have gone into property and made a fortune. I’d have a boob job by now, and be on my second or third husband, and live in a ranch-style house with a Range Rover on the gravel and a hot tub in the garden, and my kids wouldn’t be speaking to me (Winterson, 208).”

We all have the capacity to find our sweet spot from the work we love. Sometimes, it takes a lot of bravery to lay claim to the work that you love. Quite possibly, most people hate their jobs. The only way to get through it is to do something you love after or before work. At an art studio last week, I overheard a man say that he wished he studied art instead of nursing. But the nursing affords him the time and financial stability to do the art. He’d just come off a night shift, and would be in class all day. In fact, most of the really dedicated artists are older and retired. They gave up their passion for thirty years, and now go to studios five days a week, working tirelessly.

Without writing, I don’t think I would have grown as I have, or become as aware of my life and the lives around me. It’s a system of processing information and coming to more questions, and even some conclusions.

In my head, just like Jeanette, I have another life, a Plan B that I’ll probably never fall back on. I think a lot about real estate. I imagine myself negotiating and making deals (things that in real life I utterly failed at as a Literary Agent). I pass by expensive historic homes when I walk to work. I watch when they come up for sale, I look to see who’s selling them. I wonder what the stories are of the people who live there, and long to solve all the mysteries of domestic life. See? I begin in sales, and end up literary. But in the real estate dream-life, there are returns for all of my hard work. I am rewarded for knowing my own value. It eases the reality of the life I am living.

“I know now, … that the finding/losing, forgetting/remembering, leaving/returning, never stops. The whole of life is about another chance, and while we are alive, till the very end, there is always another chance (Winterson, 38).”

What matters most is that the people who have read No End Of The Bed came back to me with rave reviews with such comments as “mesmerizing,” “brave,” “painted pictures with words,” “couldn’t put it down,” “loved the dialogue,” “has the power to help people.” Everyone finished it within two weeks (surprising to me for how busy they all are, especially the new moms).  I went from feeling horribly exposed, to feeling wonderfully connected. Friends I hadn’t seen in a long time met up with me to share their own stories. People I’ve known since college looked at me with greater understanding. They questioned their choices in comparison to my own. Everyone talked about different scenes in the book. And no one seemed shocked or turned-off by some of the extremely sexual content. Neither were they offended by the feelings I expressed against the church. The rush has since died down, and now it’s up to the people I’ve never met to read the book and come to their own conclusions.

This morning I read about the publishing trajectory of the trilogy Fifty Shades Of Grey. I haven’t read the books, and couldn’t even get through the first page, but there are some comparisons to be made with No End Of The Bed as far as S&M content. E.L. James was first published by a small indie publisher in Australia with an e-book and print-on-demand in May 2011. The books gained momentum on blogs and social media, gaining a deal with Random House for somewhere around a million dollars in March 2012. The books sold 25 million copies in the first four months. So even in this case of the fastest selling books, success did not come overnight. It took time and persistence.

In Winterson’s novel, Sexing The Cherry, she explores time. Her mother looms in the character of a giantess. The narrative flips from the medieval to the present. We are asked to consider time and the dangers of puritanical thinking. Time is the story, and with it, the domino effect of lives from past to present. Earth seems like a magical place, except that it isn’t, if you inspect it close enough. We are not the result of miracles. Life occurs from hard work and persistence, from the smallest organism, to the most complex.

 

Free For Five Days!!!

~ Lauren J Barnhart ~ 2 Comments

Just a quick announcement to let you all know, my memoir ‘No End Of The Bed’ is free on kindle for five days starting today! The free sale lasts until Thursday at midnight.

If you enjoy the book, please share your customer review on Amazon. I’ve received many raves, but the customers out there need to hear it too. Thanks so much for your support!

Your Free Copy Of ‘No End Of The Bed’ On Kindle

Windows With A View

~ Lauren J Barnhart ~ 4 Comments

IMG_0201 Being a fan of my city, I always enjoy reading books that are based in Seattle. I am even more intrigued when a book makes fun of it, such as in Maria Semple’s latest novel Where’d You Go Bernadette.

She hits it with prep school culture, the rich bitches on Queen Anne Hill, and the entertaining foibles of a Microsoft husband who is so absent that he tries to institutionalize his wife, Bernadette, over some bizarre stories involving her interactions with the mothers at Galer Street School. In this absorbing comedy of errors, Maria Semple has a fearless sense of humor.

Unexpectedly, while reading this novel, I receive an offer to work as an art model at Microsoft. I decide to infiltrate and see for myself if Semple’s portrayal is accurate.

When the time comes, I have anxiety issues. I am used to art studios, and corporations with their neon lights and employee handbooks make my skin crawl. I wonder what it will be like. Will there be a bunch of awkward nerds? Will there be gamers who want to use their figure studies to turn me into a heroine in a video game? I have no idea, and prefer to be surprised upon arrival. A friend tells me that he was surprised on his campus visit, to see a bunch of muscled guys playing sports, more akin to the volleyball scene in Top Gun.

I arrive early to beat traffic, and sit in the parking lot for fifteen minutes eating a sandwich. Green Connectors of all shapes and sizes drive past: large busses, mini-busses, even taxis cart around elite looking individuals on their cell phones. A whole transportation system devoted entirely to Microsoft employees. When it isn’t a connector, it’s a luxury vehicle, such as a banana yellow BMW Z4 roadster (can you say mid-life crisis?). ‘Money,’ I think to myself. Something that I don’t have, but having grown up with it, it haunts me every now and then.

The campus spreads for miles between two towns, not including some other buildings located in downtown Bellevue. I get out of my car amidst a lush green landscape. Inside, the receptionist is talking to a guy who does appear to be more Top Gun than tech nerd. She talks to him for five minutes, going in circles over what to do about the mess left behind in the main room that the admins should have picked up. But being admins, they’ve gone home already. And according to Semple’s book, there might even be only two of them for this entire building.

When I am finally instructed to introduce myself, it turns out that this guy is the one I will be working for. The receptionist gets nervous about me going in through the thick glass doors without a hall pass. She makes a fuss over the fact that I will ride on through with my employer’s card. Then she says, “Absolutely no photography in this building. And you are not allowed on the second floor due to the nature of the work they’re doing here.”

Totally out of my element. I live my life the way I do to never be exposed to people like her or places like that.

We go in, where a few friendly guys are early. One lives in the neighborhood where I grew up, and the other lives in the neighborhood where I live now. The guy who runs the space arrives, and immediately takes out a camera to take pictures of the event. Feeling a little like the receptionist, I ask to not be included in the photos. It’s a model thing, even though corporate policy requires me to be partially clothed. As soon as I see the guys bunking the no photos rule, I decide to take some pictures too. This is my spy mission after all, and the receptionist has gone home.

IMG_0195

About thirty people show up. The drawing time is meant to inspire creativity, leading to greater innovation. Most of them have never done figure drawing before. Art materials are in full supply, and at 6 o-clock, four different types of pizza arrive. Around the corner there are fridges stocked with free soda (though I don’t drink the stuff), and most extraordinary: a 3-D printer. The machine competes for attention throughout the evening, as interns draw designs on the computer and watch as their plastic creations are spit out.

IMG_0196

The populace makes the space seem more like a college campus than a corporation. Only a few older people show up, and the rest are interns. Did I mention how friendly they all are? Creepily so. I imagine them going home and telling their spouses that they had to work late, when in actuality they were figure drawing and having a pizza party.

I talk to a girl who tells me she’s never met someone who lives the type of life I lead. It seems bizarre when she says to me, “It’s just so great that you’re pursuing writing.” As though I just started doing this a year ago. I feel old, just then. I’ve been tugging at my dream for fifteen years. Here this girl is just out of college, owns a house and a car, and is set up for life thanks to this giant corporate utopia.

What most pleases me, is posing for people who have never experienced figure drawing before. Their work appears to be at the grade school level, which is completely endearing given their technical genius minds. I can feel their brains straining to work in a different way. Fostering creativity to increase their output of top-secret ideas.

I suddenly don’t feel so out of my league. I wear the same sort of clothes as everyone else (before undressing). And unlike Bee (the daughter in Bernadette), my iPhone isn’t shocking. In fact, almost everyone has one. At first I feel guilty for pulling mine out, until I look around.

“Outdoorsy Dad: (Getting defensive because everyone there is lusting for an iPhone, but there’s a rumor that if Ballmer sees you with one, you’ll get shitcanned. Even though this hasn’t been proven, it hasn’t been disproven either) (Semple, 125).”

On my break, I look up at the hallowed second floor, wondering what the hell is up there. I stand there, enjoying my status as “the dangerous outsider.”

IMG_0197

I saw Maria Semple a few months ago at Town Hall. Her infiltration of Microsoft consisted of a guided tour, and she does an excellent job at summing up the lifestyle in her book. That night, we were seated behind her daughter (who is much younger than Bee). Throughout the interview, she was more interested in turning her head to make eye contact with Poppy, than in fielding questions from Nancy Pearl. Of course, it was slightly awkward that Nancy Pearl fit Semple’s description of the typical Seattle woman to a T.

“Remember when the feds busted in on that Mormon polygamist cult in Texas a few years back? And the dozens of wives were paraded in front of the camera? And they all had this long mouse-colored hair with strands of gray, no hairstyle to speak of, no makeup, ashy skin, Frida Kahlo facial hair, and unflattering clothes? And on cue, the Oprah audience was shocked and horrified? Well, they’ve never been to Seattle (Semple, 128).”

Through writing the book, Maria (a transplant from L.A. who wrote for TV) ends up falling in love with Seattle. How can you not? It takes a while, but this place can really claim you. I tend to get stuck in my action-packed neighborhood, though the surrounding areas are extraordinary with mountains and water everywhere you look.

“The sky in Seattle is so low, it felt like God had lowered a silk parachute over us. Every feeling I ever knew was up in that sky. Twinkling joyous sunlight; airy, giggling cloud wisps; blinding columns of sun. Orbs of gold, pink, flesh, utterly cheesy in their luminosity. Gigantic puffy clouds, welcoming, forgiving, repeating infinitely across the horizon as if between mirrors; and slices of rain, pounding wet misery in the distance now, but soon on us, and in another part of the sky, a black stain, rainless (Semple, 325).”

Similar to the dramas in the book, I’ve had wrestling matches with blackberry bushes that were attempting to overtake evergreen trees – resulting in bloody arms and sore muscles. It’s kind of amazing to experience nature stomping on your plans, and threatening to be in charge. I’ve become addicted to that sky that Semple raves about. She describes it perfectly. It’s never stagnant, not even in the dead of summer. There are days, walking home, where people rush down the hill just to capture the sky with their cameras. But you can never capture that wide over-reaching arc of the sky.

DSCN0002_2

Where was I again? Corporate life – where nothing is exactly natural. I had a friend who worked at Amazon. He said he watched as people turned into the shapes of their chairs. Eventually they got divorced so they could marry a fellow co-worker. You can bring your dog to work, and walk around the office in your socks. It’s just like being at home, and people never want to leave.

As much as I have trouble understanding it, without all of these people creating innovation and changing the landscape of our lives, we wouldn’t have the tools to be successful as artists, writers, entrepreneurs, whatever independent pursuit it may be. Though Amazon has put hundreds of indie bookstores out of business, I wouldn’t be a published author without them. In one second I grimace at the catastrophe, in the next, I owe them one. It’s one big board game of Monopoly.

The Sons That Got Away

~ Lauren J Barnhart ~ 4 Comments

DownloadedFile

On the front cover of Shann Ray’s book of short stories, American Masculine, two bison lock horns.The week I read it, friends on Facebook posted photos of bison as they drove past them on road trips. I have never been in bison country, and did not know that the herds are still so prolific. Tucked away in cities, I rarely come into contact with the wildness of nature, minus attacks from small insects.

Shann Ray’s stories deal with men grappling over their western roots while facing life in the modern world. There are memories of rodeo’s, bottled up emotions that lead to rage, and the sense that when you leave the country behind, life is a barren wasteland.

I was drawn to read Shann Ray’s stories because my husband, Michael, is writing a novel based on his childhood in Texas. His father was wound tight, a Vietnam vet, uncontrollable, massive, simmering, abusive, senseless, always waiting on the border of explosion. I have never met my father in-law, and never will.

My own father was not a man of the West (more like Midwest). He grew up in Chicago, the city where cows were shipped in to be processed at the Union Stock Yards.

My dad was tiny – more suited to gymnastics than football. His father’s blue-collar dream was for my dad to become a horse jockey at the races. The Barnhart’s revolved around the track. Great grandmother spent hours figuring out which horses to bet on. On the weekends, my grandfather watched the horses fly. Their ability to run to nowhere, a constant reminder that there was no way out from his treadmill of a job. Life was hard work. But the horses brought glamour, excitement, and beauty to an otherwise difficult existence.

Even in Chicago, horses were a part of the daily fabric. It was about being a man (a big man), not getting cheated, not getting beat up, not revealing your vulnerability; silent at home, boisterous at the bar.

When I was a kid, my dad was intimidating, stressed out, and probably a little depressed from having to work so much. Whenever I was alone with him, I was never sure what we would find to talk about. His own father (who died when I was eight) never said one word to me.

Silence was my first impression of men. The little boys on the block played with me until I was five, and then they went quiet. It was no longer cool to play with a girl. Now they had to feign a crush or show aversion. Chasing me on their bikes, the only sound I heard was shifting gears and wind.

Boys only spoke if they wanted to add to my list of insecurities. It seemed that everything about me, as a girl, was wrong to them. I began to fear my need for their approval and attention.

After my sister and I left the house, my dad learned how to be a really loving father. He’d done his job raising us, and he let go of the fear of failure. He listened to his co-worker and friend, Bruce, talk on the telephone with his daughters. Bruce listened, said, “I love you,” and encouraged. He wasn’t afraid to cry. As my father grows older, he becomes softer, more vulnerable, more loving.

My husband, Michael, is quite a bit like Bruce. But there is another side to Michael that is just like his Texan father. He blows a fuse every now and then. He can be irrational, highly emotional, extremely sensitive. These are things his father tried to hide, which resulted in explosive behavior.

Michael is obsessed with the hero’s journey. He’s been a lifetime devotee of comic books. He lives in the plot. No matter what he goes through, he’s never a victim, always the hero.

He escaped his father at fifteen years old. From then on, he was homeless, until the Marines recruited him when he started boxing at a gym. For three years he was a guard at the London Embassy. After his discharge, he received a Master’s in English (though he only went to one day of high school). He also traveled around the world for a year on his bicycle. I’ll never get to see quite as much of the world as he has.

Shann Ray paints a sinister, sad, hopeless picture of the American male. Almost all of his men are the sort you’d want to escape. If it isn’t the man, it’s the woman involved. The men struggle to grasp with life in the office after the farm, the rodeo, or the reservation.

“He wants and doesn’t want to say how right she was, how poor a man he is, has always been, … like most men, same poverty of mind, same darkness. Hidden, unknowable. I tried, he says aloud as she sleeps. But he knows he didn’t (Ray, 59).”

But what about the tenacity of the American male? The will to fight against the odds? The drive? The ability to turn poor circumstances into positive opportunities?

Quite possibly, the average person does not achieve this, and I am just living with an exception. For every brother that breaks the pattern of the father, there is always another brother left behind who becomes the father. All of the men in my family are the ones that got away.

Shann Ray’s characters pine for the lost sense of being a hero – lassoing cattle, riding horses, working with their hands. Their large bodies feel like a waste at tasks that have no physical value. Academia is vacant, the desk a torture of monotony. Sex or violence is the only savior from boredom and oncoming death.

It is hard for me to relate to Ray’s view of the western man in the modern world. His characters are all victims, fragile, emotionally weak, lacking in awareness. I am much more interested in people who take control of their lives, striving to find their own personal place of fulfillment. Life is hard, and you have to fight to not let it weigh you down. Do what you love to do, and happiness follows, even if that means going back to the farm. I know plenty of people who are doing just that.

The issue is not even about the farm verses the office. There is a lack of vision in the characters – humans blindly going through life, unable to change, afraid, stuck. Frustrating intensity, with no answer to the riddle, and the brother’s that are left behind.

‘No End Of The Bed’ – Book Release!!!

~ Lauren J Barnhart ~ 4 Comments

I am so happy to announce that my memoir No End Of The Bed is now available on Amazon!

Print Edition

Kindle Edition

KindleCover1

Lauren J. Barnhart’s memoir No End Of The Bed spans her search for truth through differing perceptions of sex, with some surprising parallels made between the fundamentalist church and the sex-positive movement.

Raised within the confines of Fundamentalism, Lauren J. Barnhart is instructed that her body is inherently evil and unclean; that innocence is of the highest value; and that a woman is meant to be a servant to everyone but herself. She struggles to believe all that she is told or else disappoint family, friends, and an all-knowing God.

At age twenty-one, outside of her small conservative college, Lauren expresses her sexuality and is surprised to discover a lack of guilt for her transgressions. Within nature rather than against it, awakened to all five senses, she begins to record the feelings of intense love and empathy that she failed to find within the church. 

In the search for something more, she is drawn towards a group of polyamorists, who celebrate the body and the freedom to express themselves with many. Through their zest for life, she abundantly taps into her artistic nature. But at the same time, she experiences the same misuse of power that was left behind in the pews. Realizing that the need to find a leader is a fallacy, Lauren learns to value her own true voice, and finds the strength to forge a different path.

KnottedTreeLogo3

I began this book when I initially broke with the church twelve years ago. The experiences I had along the way were strange and extraordinary, and it took the entirety of that time since, for the story to fully unfold. In fact, the last chapter took place exactly one year ago.

In my early twenties, I became obsessed with the need to capture everything I was experiencing. I kept detailed journals, wrote poems, songs, and began writing short stories that grew to connect as chapters.

It took ten years, and one year of prodding from my husband, before I could face the fact that I was writing a memoir. I’m still shocked that I’m not hiding behind the false label of fiction. There are truths in the book that I wouldn’t even tell my close friends. But a book is different than a conversation. And without total and complete honesty, the story loses its effect.

Others who feature in my story might not remember the details the same way that I do. Each and every one of us has a different set of memories. But we all shared the same arc from repression to crazy expression.

I am very immersed in the present right now (more than I have ever been). I could not let go of the past until I finished this book. It helped me to process my life. I came to understand everyone else’s motives. I forgave them and went through a long phase of constantly thinking through the male mind. At least that is to say, the male minds that are in the book!

In the end, I found that there were more similarities between the Fundamentalist church and the Sex-Positive movement, than dissimilarities. Erica Jong once wrote, “All pornographers are puritans.” Residing in one extreme, the complete opposite extreme lies within it, just under the surface of repression.

Growing up, I was told that the body I live in is rife with taboo. I wanted to understand why. I put myself in highly uncomfortable situations just to test my own limits. I discovered that taboo only exists in your mind. Fear is based on the unfamiliar. Rules and religion began with the human desire for control and patriarchy, and control keeps the masses in the dark.

Through the long, arduous publication process, passages, words, phrases, and pages jumped out at me: flashes of years past. No End Of The Bed shows me how far I’ve come. I feel invulnerable to judgment. The young, confused girl in the book is not the woman that I am today.

But I also miss certain aspects of that very youthful place. I was so open to people that it bordered on unhealthy, though I learned so much from them. I was also scared shitless of all the new people that spoke a different language than the religious language I grew up with. Lately I am reminded, that if you’re not scared shitless, you’re not really living. Being on the stage seems to provide that over and over for me. I like to be constantly challenged so that I can keep growing.

Right now, I have two other books in the works, and I will be publishing other authors as well through Knotted Tree Press including literary fiction, memoir, essays, and poetry. You can find out more at Knotted Tree Press.

In the memoir, I found responsibility for my self. I let go of the need for a leader, and discovered my own truth. In taking charge of the publishing of that memoir, I found responsibility for my work. I’ve loved every detail of editing, formatting, designing the cover artwork, and marketing. The funny thing is, it took exactly nine months to complete the publishing process. Now, it’s just so good to be back to writing again.

The Value Of My Mothers

~ Lauren J Barnhart ~ 2 Comments

As women, especially, we carry our mothers within us. We carry our grandmothers, our great-grandmothers and so on. Beginning life through their looking glass, we interpret from their experience. As adults, we hopefully bring something new to the equation.

In The Dance of the Dissident Daughter, Sue Monk Kidd shares how she went from being the good Southern Baptist wife, to an awakening of the anti-female language in the church and the traditional roles she had fallen into without question, causing her to become the many breasted woman. She takes a precarious journey towards finding her own true voice, fearing that she will lose her husband or that her kids will be too shaken. But what results instead is a total awakening that greatly improves her relationships and her life.

I go back and forth between two worlds on a consistent basis. Living in downtown Seattle I am surrounded by strong-willed, independent, mature, and passionate women. They hold themselves tall. They’re never looking at the floor, but straight out into what they can learn and how they can grow. They earn respect from their peers, and are active in their community.

Being around them long enough, I can forget that there is another world, the one that I come from, where women live beneath a patriarchal religion that tells them they are unclean and not worthy; the downfall of humanity beginning with Eve who tempted Adam with an apple; a Bible with so few mentions of women, that as a girl I clung to the stories of Ruth and Esther for dear life.

It’s a struggle to still see this mindset in my family members. I am often held to the same standards as the mothers who went before me, even though my husband and I do not share the same value system as my family. Trying to gain their respect as an independent human being, apart from my husband, is difficult. I often feel that for them, a husband is the replacement of your father, and my decisions are like a child’s whims that need to be reined in.

My mother was raised in the fifties and sixties in the Midwest. The negative messages she received about being a woman were manifold. She began to believe that she was dirty, ill equipped to handle life, unintelligent, not worthy of a college education the way her three brothers were. She says that her greatest achievement is having given birth to my sister and I, and raising us well. My mother did the best that she knew how. Though within her, I always sense an untapped potential – creative talents lying inert, a lack of belief in her value. She wonders out loud, “I’m already sixty something, and what have I done with my life?”

She was always with us, always there when we got home from school. But as then, and even now, there is a sense that she is often absent. Maybe it is the trait that my sister and I both share with my mother – we all have a tendency to get lost somewhere up in our heads. My nieces also share this trait, with their wild use of the imagination and sudden bursts of wit. With this up-in-your-headness, there is the danger of retreating from a fully functioning life. All of us women in the family are artists whether we express that or not. Maybe the problem lies in wondering whether our expression is valid or valuable.

In Sue Monk Kidd’s The Dance of the Dissident Daughter – A Woman’s Journey from Christian Tradition to the Sacred Feminine, she writes, “I like the way Clarissa Pinkola Estes says it: ‘When a woman is exhorted to be compliant, cooperative, and quiet, to not make upset or go against the old guard, she is pressed into living a most unnatural life – a life that is self blinding… without innovation. The world-wide issue for women is that under such conditions they are not only silenced, they are put to sleep. Their concerns, their viewpoints, their own truths are vaporized (Monk Kidd, 21).'”

I want to know my mother from before I was born. In photos she looks mischievous and carefree. She wears dark eyeliner, with funky 1960’s hairstyles, and mod clothing. She plays the piano, or munches an ice cube in old film footage at the racetrack with my dad. In photos, they goof off with their Old English sheepdog, Big Boy. They are young and beautiful, and life is rich with possibility. She worked for the telephone company, and he was an engineer. On the weekends they took random road-trips, not sure where they’d end up.

As a child, her mother was bipolar and overwhelmed by raising five kids. Grandma preferred her three sons to the two daughters. She never really liked women that much, and she also wasn’t very happy with her emotionally distant husband. But she did love fashion, expressing herself, and working in retail.

On my father’s side, my history of mothers only exists in photographs. His mother died of cancer when she was my age. In photos, she is always laughing with friends. She looks like the center of the universe. Her face is a strangely familiar territory of my eyes, and my sister’s lips. So many aspects of her have been passed down to us, but what they were (outside of photos), we’ll never know. I cling to these images – a grandmother, only visible in stills of black and white. I build up stories around her that only make her more beautiful, more daring, more carefree.

I quickly flip past the photos near the end of her life. She is washing dishes, with my dad (a toddler) playing at her feet. The lines beneath her eyes have turned purple, her shoulders slump towards the sink, exhaustion is written all over her failing body. I choose to forget this, though it lingers in my subconscious, and I wonder if like her, I could possibly die young.

My history of mothers didn’t have the opportunities that I do. Through everything that I do in my life, I celebrate them. I celebrate my right to speak, to write honestly and openly, and leave a record of myself that goes beyond old photographs found in a shoebox. So much of what my mothers really felt, was never spoken.

As I think about opening my life to the possibility of motherhood, I understand the importance of a line of mothers. I see the magnitude of knowing, before I take that step, my own value as a self. It’s painful to me when my mother writes off her life as not being very important. All I can really do is make up for it, everyday, with how I live my own life.

When she lost her mother, I was nine years old. Mom lost her luster as a distant perfect goddess, always washing dishes at the sink. She became a human being. Our family was split down the middle at the time, mid-move from Chicago to Seattle. She and I were still in the old house. She was afraid, scared, hiding boos in the back of the refrigerator (she never drank). Every night we stayed somewhere else, or a friend stayed with us.

Suddenly, it seemed that I was becoming the mother. I resented her for it. I didn’t know how to control my anger. That was when mom began to say that I reminded her of her mother. I was scared that like grandma, I was bipolar too, and maybe diabetic. No one really painted a positive image of grandma, though she was always nice to my sister and I. And it was my aggression that brought up the comparison.

“Most of my life I’d run from anger as something that good daughters and gracious ladies did not exhibit. Perhaps the thing most denied to women is anger. ‘Forbidden anger, women could find no voice in which to publicly complain; they took refuge in depression,’ writes Carolyn Heilbrun. Her words came true for me. Without the ability to allow or the means to adequately express the anger, I began to slide into periods of depression (Monk Kidd, 74).”

You could say that depression runs in my family, but I broke out of a habit that descended down through the women for generations. It was a long, painful process, letting go of that mindset and way of being. But then one day I woke up, fully in charge of my own life, fully capable, and fully expressive. The sluggish, then raging, suicidal thoughts were completely gone. I cracked the code. The answer was within me all along. As long as I face life with no fear, give what I have to offer, and value my gifts, I am happy. It’s a simple equation. But there was nothing simple about how long it took, and difficult it was, to figure it all out.

In life, there is always what we are, and what we were. They live together simultaneously. Some people catch up to who we are now, and some never do. But we all manage to learn from each other. Though my parents raised me, their daughters have raised them as well. My family speaks a different language through an opposite worldview, but we can still connect with laughter, good food, and the stories of our interconnected lives. Everyday, we grow in awareness of ourselves in relation to each other.

Fear Of Being Exposed

~ Lauren J Barnhart ~ 121 Comments

I am in the final stages before releasing my memoir, and for a few weeks there, I dealt with a paralyzing fear.  All I could think about are the attacks people will make on my character (though I’ve been attacked by readers before, on numerous occasions).   Or the ways in which certain people in the book will feel misrepresented or insulted (though I did my best to tell my story as it actually happened).

I listened to my dad telling stories about my sister and I over family dinner, and realized how unique each of our stories and perceptions really are.  He had no recollection of what we were really going through at different stages of our lives.  A bitter drink turned sweet with distance.  In fact, everyone from my youth has little idea of the double life I lived, now captured in my book.

“The risk is fearsome: in making your real work you hand the audience the power to deny the understanding you seek; you hand them the power to say, “you’re not like us; you’re weird; you’re crazy (Bayles, Orland, 39).”

In all truth, I prefer people that I don’t know at all to read my work, rather than people who know me.  It’s okay for a stranger to not like it, or not get it, but when it’s your friend, it means that they don’t really get you at all.

In the midst of my publishing fear phase, a friend leant me the book “Art & Fear – Observations On The Perils (and Rewards) of Artmaking”.  As soon as I began reading it, my fear subsided.  I was able to fully focus again on the process of making art, rather than fearing the result of my art.  And I remembered how amazing it is to be where I am at, and see that the creation of this book all happened through mad stubborn persistence, diligence, pain, tears, upheaval, countless rewrites, and that fleeting feeling of triumph.

“Basically, those who continue to make art are those who have learned how to continue – or more precisely, have learned how to not quit (Bayles, Orland, 9).”

In the beginning, I imagined I would write a novel.  My boyfriend at the time so fascinated me that I had to capture him with words.  I thought it would just be a story of him, but it grew and grew into a whole community.  How I got there, what I was searching for, and how it all ended up.  In the end, it was not really about him or them at all.  It was about me.

I thought it would be finished in 1-2 years.  It would be published by a major with a huge book advance, become a best seller, and I would receive a movie deal within the year (how wonderful it is to be naïve and clueless).  As I slugged away at horrible jobs that paid practically nothing, this image of the victorious author got me through the worst.

Then there was the issue, that in my twenties I partied so hard and lived so much to the fullest (which makes for much of my subject matter), that it was hard to find time and a morning without a hangover to write.  But no matter.  I still lugged my computer to the coffee shop when I could, on my one day off from work a week.  Eventually, even in the early morning hours.

“To the artist, art is a verb (Bayles, Orland, 90).”

Bit by bit the pieces grew organically, and came to fit together.  The book started as a third person novel, then a novel in the 1st person, then with voices of two other characters thrown in.  Finally, three years ago, I was able to find the courage to admit that it is a memoir.  But I would not have had the guts to say what I did, if it hadn’t started out as fiction.  I also wouldn’t have come to know the other characters so well without that extra exploration.  Did I mention that I began writing this book in 2002?

“The artists life is frustrating not because the passage is slow, but because he imagines it to be fast (Bayle, Orland, 17).”

It still amazes me that I have not given up.  But on the other hand, it doesn’t amaze me at all, because I had no other choice.  I couldn’t release it from my brain until it was all written down.  And when it was finally done, it lifted like magic, and I was free of it.

I am at an age now, where the idealism begins to fade away.  I’ve watched plenty of friends give up their craft for stability.  Life is hard.  Most artists don’t survive as artists once they leave the supportive community of school.  After that, it’s just you and your art, and good luck getting people to care about what you do.  Your friends are not necessarily your fans.

Facing the fact that my book will be available to the public, I wonder how my life will change.  I will do everything I can to see that it’s successful, but there is the fear that it won’t sell.  I won’t know until I take that risk.  And whatever happens, it will still be a foundation that I can build from.

Years ago, a friend of mine read several chapters.  Paul was a young techie nerd, who was bored with life, and struggling to find social skills.  He kept talking to me about one of the main characters: a binging, partying, player who puts on a debonair act.  He became obsessed with this guy.  It didn’t take long before he was turning into him.

Suddenly, Paul was out every single night, getting wasted, and hounding women wherever he went.  In a bizarre turn of events, he married an older woman within three months of meeting her.  But he continued to go out every night, and slurred to me that he wasn’t sure how he’d gotten sucked into the institution.

At one point, he had been my best friend.  But soon, it was too embarrassing to go anywhere with him.  He was rude to bartenders who were my friends.  He was loud and obnoxious, trying to see how many curse words he could fit into one sentence.  He went from being madly intelligent and witty, to talking in circles without making any sense.  It was like watching Truman Capote’s downfall.

Was it the book?  Or was it because he also had feelings for me?  Or maybe, I was not responsible at all, and he was just on that course looking for an avenue to go down.  I don’t know.  But it was a disturbing realization that the book might be a little dangerous for the slightly unstable.

“Artmaking grants access to worlds that may be dangerous, sacred, forbidden, seductive, or all of the above.  It grants access to worlds you may otherwise never fully engage (Bayle, Orland, 108).”

I hope that my memoir shows that the world is never exactly as we are told it is, and it is up to each of us to find out for ourselves.  Every person has the right to be an adventurer, an explorer of life.  To Think for themselves.

Of course, it is dangerous to really live.  To take chances, and be open to people who are different from ourselves.  But it’s the only way to find out who we really are.  If we live in fear, we’ll remain in a bubble where nothing really happens, and nothing can really grow.

“Insist that the world must always remain x, and x is indeed exactly what you’ll get (Bayles, Orland, 111-112).”

I am excited, that soon, with the book release, my life will open up to new possibilities.  It will be out there, speaking for me, doing the work that I put into it for a decade of my life.  I will keep you all updated when it is released.

Do any of you have book release experiences to share?  Was it uplifting?  Did it feel like a let down?  Did it open your life up to new things?  Please share.

 

 

 

 

The Silence of Snow

~ Lauren J Barnhart ~ 5 Comments

IMG_0018

Many years ago, I had a ten-month relationship with a Palestinian man who was getting his PhD in political science.  We were more like companions than lovers, but the sexual tension between us drove us crazy.  There was only one time, early on, that we acted on that tension, and it was a disaster.  Amidst our attempt at satisfaction, he fell asleep, and I left him there, alone with his own snores.  He woke up after I left, confused and lonely, wondering where I went.  I was furious, and it was a tremendous blow to my ego. I was very young, but I’d been through so much at that point, I was also very old.  Much older than I am now.

That winter it snowed so much, that I was stuck at his apartment in the University district for three days.  I hadn’t dressed warmly enough, so he lended me his black and white checked Keffiyeh.  It was thick cotton.  Piled around my neck, it protected me from the elements.  I thought of how the Keffiyeh is most commonly used for protection against the hot desert sun.

It wasn’t really a fad yet, to wear a Keffiyeh around a college campus as a fashion statement.  So a lot of people gave me funny looks.  It felt as though the scarf could speak much louder than I ever could.  There were people whose eyes lit up with happiness, and others who frowned.

Magid was much older than I was, and looked like a cross between Omar Shariff, and Louis Jourdan.  Outside, his cigarettes added smoke to the steam escaping from his full lips.  We walked through the city, beneath trees with intricate twig webs of white.  We drank espresso at the Solstice coffee shop.  He read the world politics section of the newspaper with his legs crossed.  I wrote poems.

Mostly, we just fought all the time.  But that weekend, with all of that snow, we created a cozy world for ourselves.  Unobstructed by stress, power struggles, and Magid’s pain over always feeling like an outsider.

 Though he had many friends, he was locked inside of solitude.  And within him, always the constant conflict between East and West.  To be in the West was both to avoid his homeland, and also to fight for it with the safety of distance.  To be in the East was to be beaten down and humiliated.  Even community, tradition, and  family, could not protect him from this.  He was a foreigner no matter where he went.

The same feels true of Ka, Orhan Pamuk’s main character in his richly poetic novel, Snow.  Through Snow we are given a view into the struggles of the small town of Kars in Turkey, and the conflict between Islam and the State.  Since a ban on headscarves for girls in school, there have been several suicides among the headscarf girls, but it is uncertain as to whether their reasons were religious or having more to do with their miserable lives.

Ka is a poet who comes to Kars on the pretense of covering the suicide girls and the political elections for a Frankfurt newspaper (where he lives as a political exile).  But his real reason is to seek out a beautiful woman he remembers from college.

While in Kars, Ka writes several poems.  He is snowed in, and the roads have been closed.  Political tensions come to a peak.  And though involved beyond what he would care to be, the events pale in comparison to the love he has found, and the overwhelming feeling that he will lose her.  What is more, his Atheism is challenged by the perfect symmetry of snowflakes, and so he begins to see through all points of view.  He becomes susceptible to the mystical, the charismatic, the theatrical dramas that cross the line from stage to reality.

My companion, Magid, did not seem to have a sense of faith.  I admired that about him.  His family was Christian, and he always said that Americans had no idea how many Christians lived in Palestine.  He taught me that the news we receive here is very dishonest and biased.  He took it upon himself to educate me on world issues.

There was a part of him that wanted to be liberated from his culture.  But the part that was still entrenched in tradition, railed against my strong willed nature.  He was both attracted and humiliated by my need for independence.  Insanely jealous, with no reason to be, since is wasn’t beyond him to take another woman home, if I wouldn’t go with him.

He said he would take me to Israel, but he never did.  Instead, he went alone when his father was dying.  And on his way back, he was strip searched and made to stand naked in front of group of guards.  They rifled through his credit cards.  They confiscated his luggage, and then gave it back to him after they had stolen the gifts he was bringing back.  They assigned him a guard, to escort him at all times in the airport, until he boarded the plane.  He was made to feel like a dangerous criminal.

When his plane had a layover in Jersey, he called his family and found out that his father had just died.  There was a sense of relief at having missed it.  If he had been there, it would have been weeks of sitting in the house and mourning while all the neighbors came by to offer food and condolences.  He considered whether or not he should grow out his beard as a sign of mourning.  Then he decided that no, he was in America now.  He didn’t have to do that.

He flew home, and when he told me all about what had happened, he cried.  It was summer now, and we were eating burgers at a bar in Fremont.  The sun was hot on our heads, streaming through a large window behind us.

The last time I saw him, we fought so badly that I drove him back to his street and dropped him off on the sidewalk before we could even make it to dinner.  I drove away without even saying goodbye.  The next day, I moved to New York.

Our story was a small pocket of my life.  And in that pocket is the silence of snow, a Keffiyeh, Magid’s cigarettes and a newspaper stuck under his arm.  We are not fighting the fight between East and West.  We are peacefully gazing at each other from across the table with love in our eyes, while the students around us are wondering what a young girl like me is doing with a stubborn old man.

I see that Magid is living a successful life as an intellectual and writer.  He is hard at work, stripping the layers off of the Westernized condescending and racist approach to Arab culture.  His research has led him to express his thoughts through a historically Arabic point of view.  It appears that he has returned to the East.

I will always remember that in Arabic there are over twenty words for “love” but in English, we only have one.  I will remember the way that the men all danced together, and swung their hips in a subtle way.  I will remember the koobideh with basmati rice and saffron.  The poets and musicians; the pain and love that they expressed.  The ancient culture that we could never feign to understand in the West.