December 27, 2014 § 5 Comments
I’ve never written a how-to post before – my main mode is usually to bring you philosophies, ideas, and experiences of art, religion, and books. But coming up to the New Year, I’m thinking a lot about how I live my life, and how everyday I strive to achieve my utmost in creative output – whether through gathering information, writing, or making art. Maybe some of what I’ve learned along the way can help you achieve your goals as well – either as a reminder, or a guide. However, everyone is different, and the following is only what I’ve found works for me.
We live in reality – a place where bills need to be paid. The key is to find a job where you’re partially in control of scheduling, with a boss who understands and appreciates what you do. Or better yet, work freelance where you’re generally your own boss. I used to think that working nights would be best for me – but in truth I just slept most of the day and stayed out too late. The problem with working as a server is that you spend the night serving people who are out having fun, so you think you deserve some fun for yourself after. It also takes a few hours post-shift for that amped up energy to fade out.
Something that took me many years to learn – your only addiction should be the act of creating. An addiction to a substance is mind numbing – keeping you from accessing your full potential for awakeness and progress. An addiction to socializing can be useful for getting your work out there, but generally it stems from a need to feel loved, and this can get in the way of productivity. My priorities are family, work, and then friends. It’s not easy to make that call on friends. I allot myself the time to see people outside of work up to three times a week (rather than the every-night-escapades I had in my twenties).
The key to being productive is to establish a routine. In a perfect day, I wake up, and make the same breakfast that I make everyday of the week (this eliminates extra decision-making, and keeps space open for more important issues). I make my French Press coffee, peel a Clementine, dole out vitamins, fry an egg with a sprinkling of garlic powder, butter some toast, and pour a cup of orange juice. Then I sit down to eat, and read something informative – either magazine articles, or art books. I check email, and then write a chapter – either for my book on religion, or for a novel based on Bohemian Paris in the 1920’s. When my energy flags, it’s time to go to the gym. This gets the blood flowing again, and keeps my body functioning properly. Afterwards, I come home, shower, and make one of two lunches – either lentil soup or garlic naan with avocado or hummus. Then I watch 45 minutes of trash television to give my brain a rest. After this, I make a strong cup of coffee with my Italian percolator, and disappear into my studio where I play Joni Mitchell or Jazz. I spend the rest of the afternoon and evening building canvases, prepping them, painting, sculpting, planning, researching artworks. By 7pm, I’m exhausted. But it’s time to make dinner. I cook a delectable portion of protein, with a tasty salad sprinkled with olive oil and vinegar, afterwards, some chocolate for dessert, and then a movie or a documentary with my husband. This is a perfect day.
Unfortunately, when I stick to this schedule, I never get out of my cave except for that brief time at the gym, which is right across the street. Once there, small talk questions feel strange because I can’t even remember what I did yesterday. There’s only enough room in my head for books, ideas, and projects – so my short-term memory is terrible.
Also, in reality, this schedule gets thrown off constantly by art modeling. With all the rushing around, it takes me two days to clear my mind and be productive again. I store a lot of pain from the poses, and that too takes recovery time. So I’ve decided that for the New Year, I’m going to mark in pencil the days that I am available to model, and the days that are for my own work (to avoid over-booking or erratic schedules). Hopefully, this way I’ll be less apt to get into the stressed out, anxiety place. The work you do in your own time matters and needs to be prioritized. This has recently paid off with the sale of my largest painting – allowing me to work as a writer and artist full time for at least the next five months. A much needed change of events after developing a bad case of Sciatica from a difficult pose, which cost me the ability to walk for two days. This too, was a reminder to work harder as an artist, rather than for pocket change as a model. I want to give my utmost, and the utmost I can give is in art and writing.
An important aspect of living creatively is to keep your mind open. Explore not just styles and forms that you like, but also the things that you don’t understand. There is something to learn everywhere, in all facets. If you stay holed up for too long, you lose viable chances for synchronicity (or connections) that produce more ideas for great art. In my downtime, I visit galleries, museums, go to plays, restaurants, and explore antique shops and boutiques. Sometimes I’ll run into an art friend and learn something new as we talk. Sometimes I’ll see artwork by people that I know, which makes me feel happy for them, while also inspiring me to work harder.
In the realm of success, there will always be someone who is doing better than you are. It’s hard not to feel envious – but that envy is an important force that can motivate you to go beyond your own perceived limits. I often read a magazine that highlights the “It People” of the Seattle arts scene. Some of them are talented. Many of them are just popular and great at promoting themselves and their ideas. I can’t help think that they will probably be here today, but gone tomorrow. I can never understand why certain people win the awards, while the other more talented people don’t. It makes no sense. Art is subjective. So I say to myself – would I rather be the boy band that gains tremendous popularity and then burns out fast from over-saturation? Or would I like to be the person who continuously works hard to create great work with a long career – like Leonard Cohen for example. The answer is obvious.
Often, when I’m not in my studio, I think that art is crazy. I wonder why I do it, and why I feel the need to do it. Yet while working, I am completely absorbed in a meditation, and unaware of anything else. Nothing outside of it can touch me. Maybe that is the answer. Or it’s the constant surprise of images and shapes that blossom in front of me. It seems like magic.
I don’t have the same questions about writing. Writing is how I process and grow – it’s second nature to me now. My problem with it is, that not nearly as many people read my writing, as I would like. Words also create barriers between people, and often my words inspire people to attack me and hurl hateful comments in my path. For some reason, they think this is appropriate when they haven’t even met me. Similarly, I often assume that they are angry psychopaths who spend all their time in dark basements.
One major thing that I have learned from the experience of having my writing out there is that once the writing is released, it’s no longer mine. On one hand, the writing might have been true of me when I wrote the piece, but as time passes, it no longer is. It only exists now for the reader, and their experience of the piece is separate from myself. Whether they affirm the piece, or hate it – it’s no matter. What happens out there isn’t really important, and you can’t take it personally. It’s good to avoid all reviews and comments as much as possible. While on this blog, however, I enjoy the dialogue that a post can inspire.
Getting lost in the meditation of writing or painting, undergoing writer therapy, having epiphanies, solving problems – as they say, the joy is in the journey. There is no joy after the fact. I do it for the process. Once it’s done, I’m done with it too. We rarely know the extent of the effect that our work has on other people, and once the work is out there, it’s no longer yours. It’s for everyone else and how they interpret it.
In all honesty, I wish that the only people experiencing my work were people I’ve never met before and never will meet. It would be easier that way. People have certain perceptions of me, so if they read my memoir, for example, they’ll suddenly find out that I lived this whole other life that they might find distasteful, strange, or odd. They come to know things I don’t even tell my closest friends. For this reason, even though I’ve written a second memoir, I might not publish it. We’ll see. I’m choosing to be less personal now, which is something that happens with age.
More and more, I find, that people outside of my art subculture have a hard time understanding me. I too, have a hard time understanding them. It’s always been the case, but it seems to be getting more extreme as time passes. Maybe it’s because, again, I’m getting older. The bank teller assumes I work a corporate job, and wonders why I’m out of work so early. No one outside of an art studio gets what I do for a living, and they automatically think perverse thoughts about what it means to be a living nude.
This is another core of being a creative person. Groups are dangerous places where progressive thinking is stunted by peer pressure. In education, you might end up with hundreds of students who all are ingrained to think the same way, draw the same way, with little that is unique or groundbreaking about what they are doing. In religions, progress has been stunted for thousands of years by the commitment to never question faith or explore anything outside of it. In politics, fascism has ruled in the same way. Corporate culture, again, plays on delicate balances of rules and standards.
I am nearing the end of my 35th year, and I’ve been watching creative people fall off the map in order to make ends meet. It happens for several reasons. Number one is that they have kids. People often go to extremes as young parents. They can get insanely religious, or obsessed with being healthy, or driven to make as much money as possible. Number two, the older you get, the more that fears of financial insecurities can loom. We start thinking about health concerns, how quickly time passes, and age.
Even though I only make enough money to get by, there are still things that can be done to lessen my financial worries. I just started an IRA retirement fund, for example. I’m hoping to invest 15 – 20% of my income. I also do my best to live simply. I wear variations on the same theme every single day – black leggings and a shift dress (again, less decision-making). I’ve learned to cut my own hair if I have to. In my single days, I never had a car or a TV – I could still do without both if it came to it. The thing is, I’m happier living this way than I ever was as a kid who had every material possession I wanted. Doing what you love is the most important thing in life. Sacrifices feel like nothing in the face of losing that. People come and go, but your passion stays with you and keeps giving back. In fact, it’s the passion that has always drawn people to me in the first place and vice versa.
The last, most important thing to remember is that being an artist is not a selfish act. I get sick of hearing that to be an artist you have to be a narcissist – said in the most spiteful way. To explore one’s own psyche and reveal it to the world is a courageous activity. What other psyche do we have? The only one we can see into most fully is our own. And in that lies the stories that connect us together and unify our total human experience. The artist makes the viewer or the reader or the listener feel less alone. The artist tells us, you’re not the only one who’s had crazy experiences that are hard to understand. Life is hard, but we have beauty to make sense of it. It’s this creativity that keeps us sane. It keeps us asking questions, and builds our civilization into something better than it was before. The artist is a giver – maybe not of their time (which is so limited in the face of creation), but of their ideas, perceptions, and philosophy. Art is how we grow.
October 8, 2014 § 2 Comments
We have a friend who stays with us intermittently between foreign travels, hiking trips, and constant moves. He enjoys shedding life belongings to experience the freedom of living out of a few packs. In between hiking the Pacific Crest Trail and moving to Washington DC, he left a couple of bags of stuff here and a few cameras. One bag had been sitting in the corner for a week, so yesterday I finally pulled it out. Underneath a nondescript pair of grey sweatpants, I found his most abhorrent belonging – a bottle of mezcal with a dead viper biting onto a scorpion inside.
I am a big fan of mezcal, but not of the dead things people put in it. Dead animals completely nauseate me. I used to cover for my husband at the old building we managed, and picking up dead rats off the street made random heroin needles and used condoms seem like a breeze to clean up. Trying to shake off the blood, guts and gore; the weight of a two-pound dead animal in my garbage bag after placing it there with gloves and paper towels – it was enough to ruin my day.
The bottle of mezcal was bothersome. First off, I wondered about the process of killing the animals inside. Does it occur before or after they’re bottled? Who handles the deadly creatures before they’re dead? Having dead animals in the house was nauseating (curiously, my preserved butterfly art piece has never given me this feeling). On top of that, the bottle seemed like a sick form of hoodoo that I didn’t want around.
Dizzying things kept happening throughout the rest of the day. My husband started moaning from the bathtub, asking me to pull a piece of glass out of a cut in his foot. I refused to dig into the gash, but obliged in holding up a flashlight for him to see more clearly. Then after that, he vomited up his lunch – he has an incredible reflex for removing any tainted food from his body. I made a delicious roast chicken with herbs, but afterwards, I couldn’t digest properly because Michael was so stressed over the non-responsive Internet.
It all came to a head as we were watching ‘The Strain’ – which includes more nauseating things like preserved organs in formaldehyde, and zombie creatures that suck blood with their enormous lurching tongues. It seemed like my day had been steamrolled by the bottle of dead things. I thought longingly of my beautiful time spent editing, out in the square in the sunshine, when everything felt right and wonderful and full of Umbrian chocolate squares next to Americano’s.
“That’s it!” I said, getting up in the middle of the show. “I’m getting rid of that bottle. I don’t even want it on our balcony or in our storage unit or anywhere. I feel bad, but it needs to go. I don’t like people leaving things here when I don’t even know what’s in my own home.”
With that, I grabbed the bottle which Michael had put outside in a grocery bag, and stormed down to the first floor, through the long garage, out to the street, where I gently tossed it into the trash bin with the garbage man idling behind the bar next door. My mezcal hand buzzed with wacky energy. It wouldn’t stop for ten minutes. Then after a half an hour, all was well with the world. Michael was amazed by my sudden bout of sensitivity.
“Okay,” I admitted, “so I had a moment there where I became my mom. So what.”
“A weird superstitious moment. Though that thing really was disgusting.”
Beyond the dead viper instilling an extreme ick factor in me, it was the intention behind it that bothered me – whatever that was. I don’t believe in religion, but I believe in intentions – if people believe something strongly enough, they are bound to make it true for themselves and affect the people around them too. I couldn’t trust what the intentions were behind the bottle (though it was most likely just a novelty item). The sight of it was enough to make me not want to dig that deep – a leftover instinct from my superstitious upbringing.
As a young Christian, I really thought that all of that stuff I was told was real. The devil was always in the bushes, waiting for my weak moment so that he could claim me. God was always judging everything that I did, though I barely ever actually heard his voice – the voice in my head that told me I would escape doom and destruction. The end times were coming, and the mark of the beast was on everything.
There are such things as hexes and energy vampires and wigged out people in cults. Yet still, after all that I’ve seen and experienced – the miracles, the covens, the energy sucking, the Santeria space cadets in white, the voodoo packets left in people’s houses, the full moon rituals – I still find that now I no longer believe in good and evil. To a great extent, there is quite a lot of fakery that goes on. This leads to belief, which spreads intention. The mind begins tripping on itself, and tripping others up in its wake. Fear plays a major role in all of this. Buying into extremes of good and evil can drive people crazy, and has caused more wars and deaths than we can count.
The idea of “good” is just as faulty as the idea of “evil.” What is good for one person is horrible for the next person. There is no one size fits all in goodness. Even one person’s form of love can be humiliating and suffocating to the next person. “Goodness” is often a cultural badge of customs and traditions, and a way of seeing outsiders as evil. Goodness comes from the Middle English word godness.
Likewise evil is an idiom for devil or Satan. Our language is built on Christian mythology. Evil is most often used as a label for cultures or people groups we don’t understand. The villains in stereotypical action movies all have vaguely Arabic names and features, or in ‘The Strain’ for example, the enemy is a Nazi German who gained immortality through the Master – a Satanesque creature. In film – the hero so often bears a square jaw, corn-fed muscles, and symmetrical features, while the villain bears a prominent nose and olive skin. Evil is an idea that is ingrained in us from the time we’re children – beginning with the propaganda of popular films.
In politics, when a country counters by arming in the same way that the U.S. continues to do, that country is looked on as “evil.” There is no thought involved in how all of our bombs must make people in other countries feel. Instead, it becomes a war of egos – any country with an ego as big as ours is a threat of mass destruction. Yet the truth is, the U.S. is responsible for more mass destruction internationally than any other country, and it’s not hard to see why we receive threats and attacks from Al-Qaeda and now Isis. Our attempts at “rescuing” other countries are something that Americans have seen as “good” while those who have lost their homes and families see as “evil.”
Religion causes these ideas of “good” and “evil” to be magnified into an international battle of spiritual warfare. In this mindset, we are not dealing on a human level, but in a demons against angels level. In other words – life doesn’t exist in reality, it exists in a blockbuster Marvel movie. Differences are magnified rather than what we commonly share. There is no seeing the issues from the opposite point of view.
It’s true that we’ve seen a great deal of dictators in the past and present that seem to be “evil.” They often got to their position of power through deep-seated psychological issues that became magnified as their position increased. The more power you have, the more you can get away with. The more people fear you, the more it becomes difficult to empathize from on high. Mega-church pastors are susceptible to the same course as they gain more and more power over their congregations. Watch how quickly they fall.
Good and evil are two categories that lack honesty and are rooted in myth. What I want to know is how did that person go from point A to point B and what caused their need for that trajectory and the actions that followed? There is a story behind everyone, which doesn’t make them less guilty of crimes, but explains the situation through critical analysis rather than through basic archetypes of heroes and villains. If we’re all honest with ourselves, we play both the hero and the villain on a daily basis.
When I was a Christian, deep superstitions were ingrained within me so deeply that I couldn’t see outsiders for what they really were – people just like me. Instead, I saw them as wicked creatures lurking to tempt me or take advantage of all my weakness. If you weren’t a Christian, you spent your life in a bar, abused your family, and ended up in prison. It’s amazing that I actually thought this. If I had looked around my own neighborhood for example, I could have seen that non-Christians were not slaves to vice, but hard working people just like my parents. However, I was only exposed to outsiders on a very limited basis. My Christian school, my church, my home – these were the places I lived. There was barely a window with a view.
On one hand, it’s embarrassing to think of my extreme reaction to the dead viper biting the scorpion in the bottle of mezcal. It reminds me of the way I thought under the myths of good and evil. When we hid in the basement on Halloween from the frightful creature people asking for candy; the dolls I couldn’t have because they might be possessed by demons; the way my mother cheered when she saw that a Psychic’s hut had burned down on the way to the Six Flags Amusement park.
The bottle also represents a culture I don’t understand – a sense of machismo in dead deadly things; a last laugh; a who is the victim now; a power trip against the dangers of nature. The bottle holds a reality that I am sheltered from in a northern city with only rats, fleas, and fruit flies.
Snakes are a shiver-inducing animal. The way they slither; the way they eat their prey whole; their sinister existence. Cold-blooded animals are foreign to us – the opposite of our species. Lacking in bonds and solitary in their daily aim to sleep and kill and be on the move. They are difficult to understand. And though I spent one summer fascinated by the garter snakes that swam in the backyard pond, I was sickened by my own obsession and had nightmares that the snakes were slithering all over me in a sea of grass.
Before I ever saw real snakes, I was obsessed that one would slither up through the toilet and bite me in the ass. For a long time after I was potty trained, I made a habit of washing my hands before flushing the toilet, so that I could run out the door and escape the snake if it should come up.
Maybe my issue with snakes comes from some Freudian issue surrounding toilet training. Who knows. I am as much fascinated by the way they move, as I am horrified. Nature is wide and varied. Our response to certain animals has a lot to do with self-protection. If you see a snake in the wild that is something beyond garter, it’s best to get away. A healthy dose of revolt is built into our DNA. Even snakes, though at times our enemies, are not evil. As much as I think living rats are cute, someone needs to eat them to keep the population down – snakes are very good at that – and there’s no flattened, bloody rat carcasses to clean up afterwards either – the beauty of eating your food whole.
August 27, 2014 § 4 Comments
When I first began writing my book on how religion keeps us from being happy, I couldn’t even open my Bible without feeling a deep-seated sense of disgust. Simply removing the blue leather clad book from the shelf made me ill. I couldn’t wait to put it back again. The Bible represented years of pain and depression. It reminded me of all the friends that disowned me when I left; all the love that wasn’t there; tricksters under the guise of miracle-workers; control freaks; condescending misogynist leaders caught with their pants down; shame; hatred for outsiders; and lies that spread fear.
A year later, and the Bible is on my work table all the time. I love digging in to find the specifics of every story I’ve heard so many times that it’s surprising to find each one is completely different than I remembered. Instead of having to read it in order to believe it, I can now read it in total shock that I once believed it, and be amazed by that insanity. I love the Bible more now than I ever did as a Christian. It was a chore to read it in my place of belief because it never felt completely alive. I no longer have to fight that feeling. It is now simply an interesting piece of literature.
What I’ve learned through writing books is that the place where you start has zero resemblance to the place where you end up. The issues I write about still make me angry, but the anger has transferred from my own life, to the lives of others. I see now, that what I’m writing can help people. In talks that I’ve had with those who are struggling, I see that it helps them to understand they are not alone in their misgivings – the conclusions that they come to are their own journey, and I am just there to present a different point of view.
The history of world religions is a fascinating story of thought patterns that spread like a virus. When at its most insistent to spread, dogma pounded down the dissidents, and bloodbaths followed. More people have been killed for the sake of, or at the excuse of, religion than any other motivating force. This result usually first takes place a few hundred years after the religion is first born. The initial phases of a new belief system are a golden age of love and community. When that era is long enough in the past to become mystical, power-hungry individuals turn those teachings into a means of furthering hierarchy. This results in conquest of other people groups, a stamping out of other religions, and the intertwining of church and state. All of these issues have had detrimental effects on societies, wiping out advancements in philosophy and science with the destruction of thousands of books, cultures, and people groups.
The finest moments of history have been in eras of doubt – Greek philosophy and science, the Renaissance, and even the era we now live in. The heretics of yesterday are the heroes of today. Even within religion, those who experienced doubt were able to advance ideologies on a different route, though they were first viewed as Atheists. Buddhism developed out of Hinduism as a rejection of the deity structure. Zen expanded from Buddhism into the enlightened path of the individual. John Wycliffe was an early dissident of the Catholic faith and called for the separation of church and state. His body was exhumed after his death and he was burned at the stake. The early Christians were the Atheists of their day in the rejection of Roman paganism – a religion that furthered the state rather than the individual.
I am on the path of doubt. Which might be viewed as negative to some, but to me, my life is open to philosophy and closed for business to dogma and illusion. My parents were over for dinner last Sunday, and for the first time, my dad actually noticed the bookshelf full of research for the religion book. He said, “C.S. Lewis is swimming in a sea of negativity.” I replied, “I don’t need the books on Christianity because it’s all in my head. It’s the entire education you brought me up in. And I really don’t like C.S. Lewis.”
I continued on, explaining what some of the books meant for me. How Karen Armstrong revealed the entire history of religion, how Sue Monk Kidd woke me up to patriarchy, how Christopher Hitchens made it okay to get really angry, which led to the first steps of my recovery. I didn’t mention that the reason why I don’t like C.S. Lewis is that I found his arguments weak and that it seemed as though he rejected Atheism in favor of peer pressure (Tolkien was instrumental in his conversion). It was also a way to return to his childhood self after the loss of his parents – what Freud would call the juvenile need for God.
It’s true that the entirety of Christian thought will remain inside my mind for life. No one needs to remind me of it, or recap something I might have missed. For the hard facts, I am just like a Christian – I need no other books besides the Bible to explain what the Bible actually says. What is written there is completely different from what Christians say in the books they write.
A year ago, writing the religion book seemed like an insurmountable feat – like climbing Mount Everest. There was so much information to wrap my head around, so many books to read (and still read), and so much excess baggage of writing to get to the good stuff for a final draft. If you look at the entire project all at once, it seems impossible. But broken down into bits of chapters, week by week, it grew. It’s still growing.
There have been times where I was so sick of this topic that I wanted to give up and start writing a novel. Every time I tried, I bounced right back into the current book. I also had to deal with some resistance from a guy in my writer’s group. Overall, however, the group has been invaluable, prodding me in the right directions, asking questions, pointing out the spots that needed filling out.
I’ve been asked many times, “Why are you writing this book?” There are many reasons. I find it important to fight against dishonesty. That dishonesty has harmed millions of people. It’s created shame where there should be none. There is nothing flawed with the way that we naturally are. We are organisms within the scheme of nature, not spiritual entities trapped inside of bodies, battling between good and evil. I’m writing this book because I’m tired of seeing the same things happen to people I love that happened to me fifteen years ago. At some point, a negative cycle must be broken.
At the end of the Bible, in the prophecy of Revelation, God decides to break his negative cycle as well. He realizes that creating the earth was a disaster, and the only thing to do is destroy it and cry, “Do-over!” He bids the angels to torture humanity, then begins the mess by throwing people into a giant wine press, where their blood flows up to the height of horses bridles for 180 miles. He turns the oceans into blood and kills everything that swims, and uses the sun to scorch those who remain. Then he shuts the lights off completely. Satan is a mere pawn in the escapade that gets locked up for a thousand years. When the dragon is released, he spurs the resurrected into a war across the four corners of the earth (the world was still flat), and is then tossed into sulfur and destroyed.
In the end, every character is a pawn – from humans to angels to the devil himself. Victims of a stage play that ends as a tragedy. Rather than a story of love, the Bible ends as a series of abusive relationships. And what does the next world look like? There is no mention of improvements that will be made or how a very flawed God will fix himself to make things right. Will he do away with his insane need for affirmation, his explosive jealousy, and his desire for puppets rather than humans? I would love to read the sequel to this gripping piece of fiction. And no wonder why, as a Fundamentalist Christian, I was scared to death of even living life.
June 1, 2014 § 3 Comments
For about six years now, I have been writing about the books I read here at The Synchronistic Reader, and my blog on a previous site. I’ve enjoyed the experience, and grown a lot from the gift of getting to process books through writing, and interacting with you, the readers.
In the past several months, however, the format has begun to feel stale for me, and I’m realizing that it’s time to make some changes in my life and re-prioritize. The blog takes up a large portion of my time, and I feel that I need to use that time wisely towards finishing my current book project, and shifting towards freelance journalism to promote that book.
I’m also feeling drawn to move past the straight memoir format into other styles of writing. I’ve noticed that through the years, I’ve told some of the same stories more than once. It’s time to stretch my writing chops and share the stories of other people, maybe even some fictional characters eventually.
I will be using this site as a way to keep all of you updated with news, upcoming publications, and random musings. Thank you so much for being a part of The Synchronistic Reader, and I hope that you’ll stick around for the upcoming ride.
May 17, 2014 § 4 Comments
In the book The Question of God – C.S. Lewis And Sigmund Freud Debate God, Love, Sex, And The Meaning Of Life by Dr. Armand M. Nicholi, Jr., it is obvious that the author takes the side of Lewis with his mention of a lifelong fascination for the transformative aspects of faith. He presents Freud as a floundering pessimist, while it appears that post-conversion Lewis has all the answers. Nicholi’s title suggests that Lewis and Freud actually did debate, when in reality they may have never met, and Lewis wrote his points against Freud several years after Freud’s death.
The two men share some common themes – both based their atheism on a pessimistic worldview and lived in a time when there was less evidence to support a godless existence. The main difference between the two men is that Freud was a Jew and C.S. Lewis grew up as a Protestant. Protestantism never left the core of Lewis, and his friends (including Tolkien) hounded him through his atheistic years, discussing issues of faith late into the night. His peers played a major role in his conversion.
I’ve always questioned why an Atheist would become a Christian. In reading this book, I realized how limited the range of knowledge was just a hundred years ago. Lewis never actually believed that God did not exist. He only wished it. He had as much faith in that as a Christian has for the existence of God.
According to Freud’s theories, this wish correlates with the strained relationship Lewis had with his father resulting in a desire against authority figures. It’s no surprise that after the death of his father in 1929, Lewis converted to Christianity just two years later in 1931. Perhaps his unresolved issues led to a wish for a sense of authority over his life. Strangely enough, my father also converted just shortly after his father’s death, leading me to believe that this might be a common reaction to the loss of a parent.
“The very idea of an ‘idealized Superman’ in the sky – to use Freud’s phrase – is ‘so patently infantile and so foreign to reality, that … it is painful to think that the great majority of mortals will never rise above this view of life (Nicholi, 36).”
I haven’t lost either of my parents, so it’s hard for me to understand the need to find an imaginary replacement figure. But I will always remember, as clear as though it’s happening in the present, the months after my mom lost her mother. I was only nine years old, but somehow, from that time forward I began to feel that I was the mother and she was the child. It was a strange flip-flop that confused me and left me feeling overwhelmed.
To pre-conversion Lewis, since God allowed terrible things to happen, it seemed better that God not exist at all. This is an extremely weak argument, having more to do with the character of God rather than whether or not he exists. In the end, Lewis felt that his own knowledge of good and evil proved God’s existence. But does it?
In religious thinking there is the belief that morals are something separate from us. We don’t know how to behave unless God shows us how. Except that we do behave as long as our needs are met. It’s the same with all primates (because, yes we are primates) and all other species of animals.
As long as food, sex, and land isn’t hoarded by alphas, and as long as the population doesn’t get out of hand, there is no need to commit crimes or start wars. A friend just told me a story of an anthropologist who married a Venezuelan woman from a far-flung tribe in the jungle. They had a child together, but six years later, she couldn’t take it here anymore, and she went back to her village. She felt isolated in the States, and she missed the close-knit community and tight network of support in her village. Togetherness was the root of her happiness.
“‘The idea of a universal moral law as proposed by philosophers is in conflict with reason.’ He writes that ‘ethics are not based on a moral world order but on the inescapable exigencies of human cohabitation (Nicholi, 60).'”
Values differ between cultures according to the needs of the community. A culture that subsists on nomadic hunting and gathering would be disturbed by our obsessive need to hoard property and our lack of community within a massive population. However, according to Lewis, there is a universal moral order that does not change much from culture to culture. This imperialist attitude reflects his own shortsightedness and lack of education on the outside world. A master on the literature of Western Civilization, the stories he loved to read didn’t exactly fill in the gaps on world cultures.
Nicholi relays the change in Lewis post-conversion: “It happened when he was thirty-one years old. The change revolutionized his life, infused his mind with purpose and meaning, and dramatically increased his productivity; it also radically altered his values, his image of himself, and his relationships to others. This experience not only turned Lewis around, but turned him outward – from a focus on himself to a focus on others (Nicholi, 77).”
New Christians exhibit the changes of a person who is in love – but since the love object is imaginary and apparently all-powerful, the experience is heightened by fear, unworthiness, and the joy of escaping everyday reality.
When my mom first converted, no one outside the church really wanted to deal with her. She wrote her Catholic father that he would go to hell unless he converted. She answered every phone call with, “Hello, Jesus loves you!” and posted a yellow sign in the back window of her minivan that said, “Smile if Jesus Loves You!” It was all very in your face, and her siblings still struggle to forgive her for her actions. I’m amazed that my parent’s marriage survived through the eight or so years that my dad wasn’t a Christian.
Today, my mom is much more mellow, but still likes to put in her two cents. Nature is not at work – no, it’s always a miracle. And to her, an Atheist could never win a debate against a Christian. She is enmeshed in faith, and is happy with the blinders that block out the rest of the world. I love her, but it’s always bothered me that this faith, or the way that she chooses to live, keeps her locked in a fantasy. Overall, this has been my experience of churchgoers (and I lived among thousands of Christians in numerous denominations through the first half of my life).
Though Freud had many insights into psychology and is known as the father of psychology, he wasn’t the greatest example of a human being. He had a difficult life, faced life-threatening anti-Semitism, and partially because of this his ideas were met with a lack of acceptance. There was war and many deaths of loved ones. He suffered from depression, and found that small doses of cocaine lifted his spirits.
Nicholi uses Freud’s struggles to show that his life was a failure without the comfort of faith. But why should a Jew convert to Christianity in the first place? And why is Christianity the only faith given here as an example?
According to the Christian faith, it’s the only religion that transforms the believer from the inside out. I’ve never seen this to be the case. Instead I’ve seen people trying desperately hard to be good even though their impulses are testing them otherwise – the emphasis on avoiding “evil” makes the “dark side” ever more enticing. I never encounter this sort of obsession with non-believers, and everyone is much more relaxed and well adjusted.
To post-conversion Christians, just as in a relationship, that initial feeling of being in love evolves into a more stable steady love. The lover still behaves, but hidden away from the people who judge the most is a sea of inner desires. To share how you really feel is to run the risk of losing family and the community at large. The more that is hidden, the more it grows, becoming distorted and almost impossible to get a handle on. I don’t know of a Christian who hasn’t gone through some form of inner battle, and the best survivors are those that are control freaks. There is not much there in the way of pure honesty, especially regarding the self. In fact, when I first left the church, I was on a high of honesty for years, not caring how much I shocked people. It was just so freeing to be completely honest.
Throughout my years as a Christian, C.S. Lewis was the ultimate intellectual authority on Christianity. He brought issues concerning faith to the forefront of his stories and discussions. He took his beliefs beyond theology, and made it seem more like philosophy. Unfortunately his arguments don’t hold up since there was no room for facts. He was the perfect candidate for Christianity precisely because he was easily swayed by the emotions he felt through great pieces of literature.
He was always a Protestant – the fifteen or so years that he rejected it were not as much rejection as a wish against and avoidance of what he felt to be true. In his words, “God cannot give us happiness and peace apart from Himself… (Nicholi, 105).” Once again, our feelings, experiences, and morals are seen as something apart from ourselves and separate from nature.
“… Lewis wrote in a letter to a friend that ‘Christ promises forgiveness of sins. But what is that to those who, since they do not know the law of nature, do not know that they have sinned (Nicholi, 73)?”
What exactly is this law of nature and why wouldn’t natural beings that are of nature be privy to it? Putting nature into submission of a purported law is silly and egotistical. Lewis is not much next to the extreme power of nature. The fact that he was mortal is the first clue in this. Nature had little regard for him, and has little regard for all of us. Nature and religion are two very different things. Religion is a manipulation for order. Nature is a balance between supply and demand. The truth is, there would be fewer problems in nature if there were less of us living on the planet.
I think it’s very difficult for most Christians to understand that Agnostic Atheism is not necessarily a pessimistic worldview. I know that it is for some, but for me personally, I don’t feel that way at all. I feel that it’s the most realistic worldview there is. I have an ultimate respect for the grandness of nature, and the fragility of existence. I have no desire to exist forever as a spirit, or reside in an uneventful place like heaven – I’ve been in many beautiful mansions, and all they are is lonely. I feel empathy for other beings because I see that we are all as one. Since I love myself, I know how to love other people. It’s not that hard to figure out. And as for God, I’ve never seen any evidence of his existence, and it’s certain that I never will. That’s not to say that I don’t think there might be other beings in the universe. Wherever and whoever they are, they are nothing like the controlling egomaniac that humans have fashioned for themselves.
It is obvious that earth is a place meant for growing, and not things that are made out of magic. Ancient people groups had no way of understanding existence without the assistance of myth to soothe the masses. I find it unbelievable that people are still choosing to live that same way today. Faith is presented as a comfort, but compared with what is actually written in the Bible, it should be sending believers into a tailspin of fear and frenzy.
I wouldn’t wish a belief in God on anyone. Far from being “perfect” – he’s presented as jealous, insane, bloodthirsty, ready to ask his followers to commit genocide on the drop of a hat. The concept of God and what he demands is in total rejection of all that we naturally are. To believe in a being that is so contrary to us as a species is to make life much more difficult and full of conflict than it ever has to be. The idea of God can make anyone go crazy – and it has on occasions too numerous to count. All you have to do is mention the date “9/11″ and religious extremism presents itself loud and clear. Extremism has been a dominating force for centuries.
I’ve been told that I should question why I write about religion, and whether or not it’s honorable to cause people to question what they believe. I see nothing wrong and everything right with asking people to stop believing and start seeing with their own two eyes. For one thing, rational thinkers make for rational societies. Losing faith and analyzing it for what it really is was a painful and necessary process for me. Without that, I would have never found my own wellbeing. I like to spread that happiness.
Overall, though, I think that most of the readers who enjoy these posts are people who think as I do. I find it difficult and painful to read books that speak from the opposite point of view. For this fact, reading The Question Of God was not easy. Freud certainly had his hang-ups, but I didn’t enjoy how the author constantly pitted him against Lewis, presenting one man as the winner and the other as the loser. And all the while, Freud’s theories rang loud and true for me. Not to mention, they are the groundwork for which the author has based his life career on as a professor of psychiatry.
April 27, 2014 § 1 Comment
My first impression of Ellis Avery’s novel The Last Nude was, “Oh brother, another tale of the artist sleeping with the model.” I’ve been hard-pressed to find a book or a movie where this doesn’t enter the plot. Of course, much of history upholds this narrative with Diego Rivera’s mad lust for his models, Lucien Freud’s misogyny, and Picasso’s narcissism. In the film Venus, Peter O’Toole’s character has an old man boner for a young girl that he convinces to model – the purpose, of course, being so that he can peer in through a window and see what she looks like naked. The idea of the art model as an object of lust is really the only narrative we hear about in the mainstream.
The most realistic representation of what the artist/model relationship is like is in a French film entitled The Artist And The Model. This film was not only very realistic, but it showed the process of making art in a way that we never get to see outside of actual studios. At one point, the artist feels the curve of the model’s knee and reaches around the muscles of her shoulders, which makes her rather nervous regarding his intentions. Set in the forties, there were less rules then. Today, an artist generally never touches the model, though sometimes it still happens in the most unobtrusive ways.
I’ve written before about how I often run across people who are judgmental of my life as an art model. They picture the studio as some den of depravity, where pervs are sketching me one minute and jacking off in the bathroom in the next. Those that judge seem to think of me as some kind of enabler. They admonish the thought of running across a painting of me nude, and then what?
As I leave my body to be still in the pose – I observe the artists as they grow in their skill, approaching the difficult equation of capturing the human form, creating shape through shadow and light, measuring each angle, examining my structure next to a skeleton, identifying every muscle and how it connects to other muscles and bones. I am a living and breathing human anatomy lesson.
From my point of view, art modeling has been a study in subtle realistic poses – contrapposto, odalisque, the curve of the back, the angle of the head. I know exactly what my body can handle for what length of time. The pressures of stillness are a strange study, and I’ve learned from many mistakes – how to create poetry while balancing your weight to avoid pain.
In The Last Nude, the famous Art Deco artist Tamara de Lempicka picks up an American female model in the Bois de Boulogne. Rafaela is still a teenager, but she’s been selling her body to old rich men for a life of independence in 1920’s Paris. Tamara seduces her, and Rafaela falls in love. It’s the first time that Rafaela sleeps with a person for the love of it, rather than for what she wants. But is that really the case? In the heat of their summer together, Tamara paints the most stunning nude of her career. She keeps her motivations a secret from Rafaela, and to the young naive girl, the relationship is not what it seems.
I work in a wide range of settings, mainly art schools and private studios where several artists gather for sessions. I enjoy the people who call me to come in every three months. They’re dependable. It never gets too personal, but it’s always fun to see them after a while.
On the other hand, working for the people who get swept up in me as their muse can at once feel more relaxed and have an increased sense of pressure. The more they look, the more they see new lines that amaze them. Or they think of new scenarios to pose me in, week after week.
I get stuck having to wear my hair exactly the same way for months of sessions, and once I was chided for the fact that my hair grows. At times I feel claustrophobic being around the same people for too long (another reason why the variety of the job generally works well for me). Then I begin to resent how much I come to love these people, knowing that one day they’ll drop me and move on to the next model (as they should). Whether or not I’ll get to see them much after that point is left to be determined. When you are an artist, there is little time for friendships. Everyday is devoted to work. This is another cliché’ that gets broken – artists are not lazy, and their quest is somewhat obsessive and heroic for all the obstacles in their way.
Outside of the studio, the social strata present degrees of separation. More well known artists are likely to give you the feeling that you need to take a number to talk to them at art shows. The excessive amounts of time spent in their studio, countless meals eaten together – it’s all for naught when your time as muse is up. The intense connection dissipates over time.
Models have been fighting to be more than just the model since the dawn of figurative art. Before the 20th Century, female art models, dancers, and actors were basically viewed as “whores”. The main motivation of whoring yourself is to gain money and power and find success in the thing you love to do (which usually doesn’t involve seducing ugly old rich men). It’s a way out of poverty for people with assets and aspirations beyond the daily drudgery of life.
It makes sense that throughout history, models have often slept with the artist, especially in cases where the artist is wealthy and socially mobile. Sex can feel like a transfer of power, genius, and a solidifying bond. But in extremes of power imbalance, it often ends badly for the model.
Of Picasso’s models and lovers, overall, their lives ended in complete disrepair. They never recovered. The only one who was a success post-Picasso was Francoise Gilot, who left him of her own accord, knowing that her art career would go nowhere if she continued to live in his shadow.
The model remains as a vague representation of a person. A person we will never truly know. What makes the Mona Lisa famous? No one knows what she’s actually thinking, but whatever it is, her thoughts look very interesting. That’s the trick of being a good model – to always have a curious mind that never stands still within the stillness of your body. I love to be within my brain, barely aware that I am onstage, ignoring intense amounts of physical pain as the warm air of the space heater embraces my body.
I’ve seen thousands of versions of myself in drawings and paintings, and it is rare that any of them really fully capture me. I’m counting about five in my head right now. But that’s not really the point. My body is only a guide to what the artist sees. After so many years at it, I still feel excited to see what people are working on, and feel a sense of surprise when there is a new voice that speaks through the fascinating curves of lines and paint. I don’t think I’ll ever lose that sense of wonder, because I am an artist as well.
For the last year, I’ve been increasing my time and efforts in my painting practice. I knew that painting would come back to me one day. It was all I did for so long, and then went away when I became a writer.
People struggle with the idea of others in more than one role. They are sometimes amazed to see me painting. There is a tug of war between days that I model, days that I paint, and days that I write. Models are never just models. They are poets, actors, burlesque dancers, musicians, singers, and artists. It is the perfect job for the creative person who wants to make their own schedule, be their own boss, work as much or as little as they want to.
Hopefully, the majority of our lot will make something of themselves. I overheard a well-known artist say, “We’ve lost so many models to thinking that they want to be artists. It’s a real problem!” Quite a lot of people would like to see others remain in their known role. It’s up to each of us to make our lives what we feel it should be.
I never stop reaching for greatness. It’s a magical thing to work for people who teach me to go that much farther. Art is a discipline; a playfulness; an openness; an exploration. I get to watch people create from onstage, and then go home and do the same. I’ve found my place in Seattle through my work, and I’m building a sense of community and friendship.
Did I mention that I’ve never met a model that slept with the artist? It wouldn’t bother me if I did. But the point is, it’s a job like any other. Word spreads fast, and we depend on the money to get by. For those that don’t take it seriously, go ahead and fool around. Though trust me, overall, artists aren’t nearly as sexy as people make them out to be. We’re a nerdy lot.
April 13, 2014 § 4 Comments
As a single twenty something, I subsisted on stories of sexual exploits. Brunch with friends consisted of dishing the dirt on what happened the night before. All of our experiences seemed like some kind of amazing movie, where the hot musician/artist/stranger from out of town walks in and sweeps away the night with his own unique way of wooing, either leading to mounting sexual tension or strewn sheets.
I also worked at a brand new restaurant where they only hired you if you were beautiful or Irish. Everyone was sexy. We worked hard, played hard, and then all ended up in bed together. To be honest, it was the best job I ever had, with the strongest sense of community. The drama kept it interesting, and persistent flirtations kept my adrenaline pumping. People with commitments didn’t fare so well working there. But I had no strings, no attachments, and just a couple of obsessions. I was at that age where you were allowed to be just a little bit stupid. I learned that you probably shouldn’t mix business with pleasure, but it’s a lot more fun when you do.
Ten years later, I look back on that time as my heyday of singledom. It was an adventure to sleep with all kinds of men, and I’m glad that I did. I learned a great deal about life from all of those experiences. I never imagined that my life would change so much since then, and that I would choose to be in a monogamous marriage.
We’ve both admitted that the single thing we miss most about dating is the variety. Once married, that excitement of the brand new person in your arms is a thing of the past. The challenge is to go beyond the familiar to create a fresh erotic experience. Biologically, the familiar is a warning signal that keeps us from committing incest, and once your family, there is nothing more familiar than your spouse.
At times, we get our kicks from listening to stories told by our single guy friends. But as they talk, I find myself feeling depressed and left bored. They check young girls off their list, and are consumed with looks rather than substance – the type of girls who like to flip their ponytail in your face; had a boob job at eighteen; and fail in conversations with comments like, “Alcohol was once illegal? That never happened!” In the meantime, the fully formed human beings are relegated into friendship territory.
For much of our lives, love and sex are two very different things. If you marry a person based on your passionate sex life, you’ll wake up one day to find that you have nothing in common. If you marry your best friend, you’ll realize that as love grows stronger, keeping sex fresh is a challenge. Love and sex only come together completely in the first initial phases of an intense relationship, and as familiarity takes over, lust wanes.
Everything that I’ve ever felt about the nature of human sexuality is explained and affirmed in Sex At Dawn – How We Mate, Why We Stray, and What It Means for Modern Relationships by Christopher Ryan and Cacilda Jetha’. As their theory goes, we owe much of our culture to the rise of agriculture, but the earth was a more balanced place when we remained hunter-gatherers in pre-history. There was no famine, no malnutrition; people grew taller and lived longer; finding food took up to three hours a day leaving the rest of time for play; when food and resources were scarce they kept moving; and communities were kept small so that everyone could be accommodated for. Strength came from how little you had – as in possessions as well as people. Greed represented failure, and sharing was the ultimate benefit. As food was not withheld, neither was sex.
During ovulation, women slept with as many men as possible, letting the best sperm-match for her egg battle it out inside her body. The baby could be anybody’s, and this ensured protection for the child. Everyone took responsibility for raising the children. There are many communities throughout the world that still function in this way, though outside pressures threaten to stamp it out.
Our bodies perform functions that are basic to this mode of sex and reproduction. As a woman vocalizes during orgasm in the throes of sex with one man, she is calling attention to other potential mates in the area. When a man thrusts, his action combined with the coronal ridge of his penis creates a suction that removes competing sperm from a woman’s vaginal canal. A woman’s body will actually attack sperm that are not the right match for her egg. But when sperm and egg are the right match to make a strong and immune child, her body is more welcoming. These various functions are called “sperm competition.”
There is a lot to be learned in this regard from our primate cousins. With Gorillas, the largest male wins all the females. He competes with his strength, but his scrotum is tiny – an example of male competition rather than sperm competition. With bonobo chimps, the females lead with a sexually free society, where the males can enjoy themselves instead of posturing to win the ladies. When there is enough sex to go around, everyone can relax.
Most social primates are non-monogamous. In fact, it’s a real stretch to find any animals anywhere that are monogamous. I hate to burst the bubble, but even penguins find a new mate after the hardships of protecting the young are through. Sometimes penguins engage in threesomes that are beneficial for the male in times of keeping the egg warm – double duty.
Of the primates, gibbons are a standout for their solitary existence up in the trees, with a generally monogamous existence. Among the gibbons, males and females are exactly the same size. Humans have much more in common with chimps and bonobos in regards to male/female size ratio and the general size of male sex organs. We also share 98.8% of the same DNA.
As a social function, sex throughout history has been a solidifying exercise between people groups – a way to create bonds, establish friendship, welcome distant travelers and gain their trust. Marriage, on the other hand, was a negotiation – an economic and political maneuver. Typically, patriarchs chose who you married, before the Victorian era built up the idealistic idea of marrying for love. That same era was the most uptight, restricting, and repressive time. No one thought that women actually wanted to have sex. They were idealized as angelic creatures, all the while getting their orgasms at the doctor’s office in treatment for Hysteria.
“Otto Kiefer, in his 1934 Sexual Life in Ancient Rome, explains that from the Roman perspective, “Natural and physical laws are alien and even opposed to the marriage tie. Accordingly, the woman who is entering marriage must atone to Mother Nature for violating her, and go through a period of free prostitution, in which she purchases the chastity of marriage by preliminary unchastity (Ryan, Jetha, 124 – 125).””
Sound advice. There is a reason why “gang bangs” are such a popular porn feature. The truth is, it takes us back to our roots in the ultimate expression of sperm competition. Monogamy has caused an increase in fertility issues in men – some 20% of men suffer, and the numbers are rising. These issues would never arise in a non-monogamous society, where the strongest sperm win, weeding out the weak. In monogamy, the weak just keep trying.
A man’s sexual preferences become rigid in his youth, while a woman’s preferences are infinitely flexible (whether she knows it or not).
“Gay or straight, the men were predictable. The things that turned them on were what you’d expect…. The female subjects, on the other hand, were the very picture of inscrutability. Regardless of sexual orientation, most of them had the plethysmograph’s needle twitching over just about everything they saw. Whether they were watching men with men, women with women, the guy on the beach, the woman in the gym, or bonobos in the zoo, their genital blood was pumping. But unlike the men, many of the women reported (via the keypad) that they weren’t turned on. As Daniel Bergner reported on the study in The New York Times, “With women… mind and genitals seemed scarcely to belong to the same person (Ryan, Jetha, 273).'”
Despite the major shift in consciousness through the last one hundred years, women are still very good at being sexually dishonest with themselves. And why wouldn’t they, when society at large anxiously awaits that moment when they can label a woman a slut or a whore? Women are still punished for being sexual, when it should be celebrated.
I’ve never fared well with overly idealistic women. When they ask me to tell them how I met Michael, how he proposed, where we got married – I cringe a little bit. They are all great stories, but they sum up our relationship into some bizarre fairytale narrative that has nothing to do with our day-to-day reality. Those stories are mere blippits on the radar at this point. They remind me of the whirlwind that I was swept up into, left almost unrecognizable to myself, as I planned a wedding and turned into a girly girl, entering into a mainstream institution.
I’m still confused by what, exactly, happened to me. I’m still difficult to deal with, yes, but my personality did a back flip in response to Michael’s triple lutz. He made me a better person. I became strong and secure, simply because he believed in me so much. And now, five and half years since we met, we’ve changed so much together that I have little in common with the person I was back then.
I know that I could handle an open marriage, but Michael is not interested. And would I want to go back to that way of life? I see the other options out there, and it all pales in comparison. Before, so much energy went into thinking about sex, when now, we put our energy into the work that we love doing. I was not that productive before Michael came along.
We have a shared narrative that makes life enjoyable. Sometimes we get stuck in a rut, and sometimes we forget to have sex for a few weeks, and at other times, he feels more like my brother or my son or my father than a husband. But then it all comes back around, and it’s like we’re at the beginning again, in our own little world, with the sheets in wild disarray, and the hours passing by undetected.
I think the important thing is to not look at a relationship as a given. To not give up on life and let everything go. It’s the outside world that keeps the inside world invigorated. It’s the community at large that keeps love alive. An insular relationship is doomed to end in boredom. With trust and openess, fresh energy flows, and you find that the person you married never stops changing.